{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O77401"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O77401/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AM3046/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AM3046/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AM3046","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O77401/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O77401","accessionNumber":"13857:1","objectType":"Etching","titles":[{"title":"Nouvelles Cheminée faitte en plusier en droits de la Hollande et autres Prouinces","type":"series title"}],"summaryDescription":"<b>Object Type</b><br>This print is an etching. The image was made by using acid to bite lines in a metal plate. The lines on the plate were  filled with ink which was then printed onto paper.<br><br><b>People</b><br>The Dutch Huguenot designer Daniel Marot published themed sets of half a dozen or so of his designs from 1687 onwards. These prints were also brought together in sets of collected works, consisting of more than 100 prints each, in 1703 and 1712. This print comes from a set of chimney-piece designs.<br><br><b>Ownership & Use</b><br>Prints such as these were used by craftsmen and designers as design sources. However, they also had another purpose, which was to further a designer's career by earning new commissions. Marot would have been well aware of this. When  young he had worked as an engraver, making prints for  the influential French designers Jean Le Pautre (1618-1682) and Jean B‚rain (1637-1711).<br><br><b>Place</b><br>The lettering on this print describes the chimney-piece as being in the English style. Corner chimney-pieces like this one can still be seen at Hampton Court Palace and at Ham House, Surrey. Although most closely associated with 17th-century buildings, they are also found in 18th-century buildings.","physicalDescription":"Etching","artistMakerPerson":[{"name":{"text":"Marot, Daniel","id":"A1726"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Marot","id":"A1726"},"association":{"text":"printmaker","id":"AAT25164"},"note":""},{"name":{"text":"Marot","id":"A1726"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"etching","id":"AAT53241"}],"materialsAndTechniques":"Etching on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Designs","id":"THES48968"},{"text":"Architectural fittings","id":"THES48994"},{"text":"British Galleries","id":"THES48985"}],"styles":[{"text":"Baroque","id":"AAT21147"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AM3046"],"imageResolution":"high","galleryLocations":[{"current":{"text":"54B (VA)","id":"THES49248"},"free":"","case":"CA12","shelf":"DR3","box":"13"}],"partTypes":[[{"text":"print","id":""}],[{"text":"Etching","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Netherlands","id":"x29020"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"The Hague","id":"x29217"},"association":{"text":"published","id":"x30682"},"note":"Fuhring proposes that this suite was published in The Hague (see catalogue entries 9160-9165)."}],"productionDates":[{"date":{"text":"after 1703","earliest":"1704-01-01","latest":null},"association":{"text":"published","id":"x30682"},"note":"Later copy of Marot's suite first published 1700-1703."}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"32.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Cut to","note":""},{"dimension":"Width","value":"23.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Cut to","note":""}],"dimensionsNote":"Dimensions checked: Measured; 07/01/1999 by sp; single sheet unmounted","marksAndInscriptions":[{"content":"'invent‚ et grav‚ par D. Marot'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"signed","position":"","script":"","translation":"","transliteration":"","type":"Maker's identification","note":"Maker's identification; signed"},{"content":"'avec preuillige des Etats genereaux des prouincee Vnie'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"","historicalContext":"","briefDescription":"Daniel Marot, design for a chimney-piece placed at an angle in the 'English style'. Print from a suite of 6 designs for chimney-pieces, including title plate, entitled 'Nouvelles Cheminée faitte en plusier en droits de la Hollande et autres Prouinces'. Holland, before 1703.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Fuhring, P. <u>Ornament prints in the Rijksmuseum II: The Seventeenthy Century</u>, 3 vols, Rotterdam, 2004, vol. 2, 9164."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"fireplaces","id":"AAT52267"},{"text":"paintings","id":"AAT33618"},{"text":"interiors","id":"x36098"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"British Galleries:\nCorner chimneypieces were fashionable in England from 1670, and were particularly used in smaller rooms. This print shows a decorative scheme with many rich elements carefully balanced in the Baroque manner - paintings, sculpture, a clock, decorative carving and a painted ceiling.","date":{"text":"27/03/2003","earliest":"2003-03-27","latest":"2003-03-27"}}],"partNumbers":["13857:1"],"accessionNumberNum":"13857","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LP7145","2019LP2874","2019LU5977"],"recordModificationDate":"2025-04-25","recordCreationDate":"2003-03-27","availableToBook":false}}