{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O76685"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O76685/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2015HJ7645/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2015HJ7645/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2015HJ7645","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HJ7646","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2014HB3919","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HJ7647","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HJ7648","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HJ7649","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HJ7650","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HJ7651","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HJ7652","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HJ7653","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AW2459","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O76685/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O76685","accessionNumber":"T.588&A-1913","objectType":"Pair of boots","titles":[],"summaryDescription":"Fashionable boots of silk and silk satin, some with high heels, were imported into England from France in the 1860s and 1870s. These French styles were also imitated by English shoemakers. The French influence was due to the stylish Empress Eugenie who had married the French emperor, Napoleon III, in 1853. She was probably responsible for the introduction of the shorter skirt which led to a greater emphasis on stockings and shoes. \r\n\r\nAdditionally, by about 1860 chemical aniline dyes were widely available. Many of the colours they produced were markedly brighter than previously possible. After an initial period of fashionability, such vivid colours came to be seen as gaudy by some. The bright yellow of this pair of boots forms a striking contrast with the black braid.","physicalDescription":"Pair of yellow satin boots with applied black silk braid, black laces, small heels, pointed toes and leather soles","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Leather","id":"AAT11845"},{"text":"Silk satin","id":"x33509"},{"text":"braid","id":"AAT232186"}],"techniques":[{"text":"shoe making","id":"x40339"}],"materialsAndTechniques":"","categories":[{"text":"Accessories","id":"THES48998"},{"text":"Fashion","id":"THES48957"},{"text":"Evening wear","id":"THES48999"},{"text":"Footwear","id":"THES48951"},{"text":"Europeana Fashion Project","id":"THES265804"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2015HJ7645","2015HJ7646","2014HB3919","2015HJ7647","2015HJ7648","2015HJ7649","2015HJ7650","2015HJ7651","2015HJ7652","2015HJ7653","2006AW2459"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES325982"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES325982"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Boot","id":""}],[{"text":"Boot","id":""}]],"contentWarnings":[{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":"probably"}],"productionDates":[{"date":{"text":"1860s-1870s","earliest":"1860-01-01","latest":"1879-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"T.180A-1984","id":"O76688"},"association":""},{"object":{"text":"MA/1/H926","id":"ARC163180"},"association":"Archive record"}],"creditLine":"Given by Messrs Harrods Ltd.","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This was part of a very large collection of items of dress and accessories which was given to the Museum by Harrods, the department store, in 1913. The collection had been formed by the artist Talbot Hughes, who wrote a book on the history of dress, illustrated with photographs of models wearing items from his collection. A large firm in America had offered to buy the collection and present it to the Metropolitan Museum, New York, but Hughes did not want it to go abroad. At the suggestion of Cecil Harcourt Smith of the V&A, Harrods bought it for £2,500 and gave it to the Museum for the 'public good'. Harrods displayed the collection for three weeks in December 1913.","historicalContext":"","briefDescription":"Pair of women's boots, 1860s-1870s, French, yellow satin with black braid","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[{"text":"Talbot Hughes","id":"C2869"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["T.588A-1913","T.588-1913"],"accessionNumberNum":"588","accessionNumberPrefix":"T","accessionYear":1913,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE","Boot [1]","Boot [2]"],"assets":[],"recordModificationDate":"2025-10-01","recordCreationDate":"2003-03-13","availableToBook":true}}