{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O756958"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O756958/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009CD3699/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009CD3699/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2009CD3699","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O756958","accessionNumber":"E.700-1928","objectType":"Drawing","titles":[],"summaryDescription":"","physicalDescription":"A reproduction of a sketch of a wall-painting depicting Christ as Piers Plowman surrounded by various implements of labour. Christ is depicted to the left, semi-naked, facing the viewer, holding his hands up to show his bleeding palms.","artistMakerPerson":[{"name":{"text":"Ernest William Tristram","id":"A32223"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"AAT14109"},{"text":"ink","id":"AAT15012"},{"text":"wash","id":"AAT11051"}],"techniques":[{"text":"drawing","id":"AAT54196"},{"text":"photolithography","id":"AAT53275"}],"materialsAndTechniques":"Photo-lithograph, pen and ink and wash on paper","categories":[{"text":"Drawings","id":"THES48966"},{"text":"Christianity","id":"THES48978"},{"text":"Designs","id":"THES48968"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2009CD3699"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"19","box":""}],"partTypes":[[{"text":"drawing","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"1913","earliest":"1913-01-01","latest":"1913-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"5.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1928. </u> London: HMSO, 1929","marksAndInscriptions":[{"content":"'E.W.T'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed in ink"},{"content":"'1913'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Dated in pencil"}],"objectHistory":"The wall painting depicted here is from the south wall of the nave of Ampney St. Mary Church in Gloucestershire.\r\n\r\nThe association of Christ with Piers Plowman comes from a theory presented by the artist himself. Tristram proposed that certain representations of the crucified Christ, preserved on the walls of English country churches, were inspired by William Langland’s poem ‘Piers Plowman.’ In these paintings the figure is surrounded by tools of labour that are arranged to form a halo or glory. This lead Tristram to assert that they were presenting an analogy linking Christ’s suffering and crucifixion to the life of the labourer. He suggests that this idea comes from Piers Plowman as the poem preaches salvation through labour. (Information from D'Evelyn, Charlotte. Piers Plowman in Art. <u>Modern Language Notes</u>. April 1919, vol. 34, No. 4.)","historicalContext":"","briefDescription":"Drawing by Ernest Tristram, pencil, reproduction of a sketch of a painting, partially reconstructed, on the south wall of the nave in Ampney St. Mary Church in Gloucestershire, photo-lithograph, pen and ink and wash, Great Britain, 1913","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1928. </u> London: HMSO, 1929"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Christ","id":"N1515"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.700-1928"],"accessionNumberNum":"700","accessionNumberPrefix":"E","accessionYear":1928,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-24","recordCreationDate":"2009-06-30","availableToBook":false}}