{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O756838"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O756838/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009CD3702/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009CD3702/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2009CD3702","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O756838","accessionNumber":"E.823-1928","objectType":"Drawing","titles":[],"summaryDescription":"","physicalDescription":"Pen and ink sketch from a reproduction published in the <i>Sussex Archaeological Society's Collections</i>, IV, 1851, of paintings in Stedham Church in Sussex. Christ is depicted as Piers Plowman, full-length, with a halo made up of the tools of labour.","artistMakerPerson":[{"name":{"text":"Ernest William Tristram","id":"A32223"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"AAT14109"},{"text":"ink","id":"AAT15012"}],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pen and ink drawing on paper","categories":[{"text":"Drawings","id":"THES48966"},{"text":"Christianity","id":"THES48978"},{"text":"Designs","id":"THES48968"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2009CD3702"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"19","box":""}],"partTypes":[[{"text":"drawing","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"20th century","earliest":"1900-01-01","latest":"1999-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"7.75","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"2.375","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1928. </u> London: HMSO, 1929","marksAndInscriptions":[{"content":"'E. W. T.'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed"}],"objectHistory":"This sketch is a reproduction of an illustration that appeared in the <i>Sussex Archaeological Society’s Collections</i>, IV, 1851. It is a copy of a wall-painting from Stedham Church in Sussex. \n\nThe association of Christ with Piers Plowman comes from a theory presented by the artist himself. Tristram proposed that certain representations of the crucified Christ, preserved on the walls of English country churches, were inspired by William Langland’s poem ‘Piers Plowman.’ In these paintings the figure is surrounded by tools of labour that are arranged to form a halo or glory. This lead Tristram to assert that they were presenting an analogy linking Christ’s suffering and crucifixion to the life of the labourer. He suggests that this idea comes from Piers Plowman as the poem preaches salvation through labour. (Information from D'Evelyn, Charlotte. Piers Plowman in Art. Modern Language Notes. April 1919, vol. 34, No. 4.)","historicalContext":"","briefDescription":"Drawing by Ernest Tristram, sketch from a reproduction published in the <i>Sussex Archaeological Society's Collections</i>, IV, 1851, of paintings in Stedham Church in Sussex, pen and ink on paper, Great Britain, 20th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1928. </u> London: HMSO, 1929"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Christ","id":"N4624"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.823-1928"],"accessionNumberNum":"823","accessionNumberPrefix":"E","accessionYear":1928,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2009-06-30","availableToBook":false}}