{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O756827"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O756827/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009CD3703/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009CD3703/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2009CD3703","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O756827","accessionNumber":"E.834-1928","objectType":"Drawing","titles":[],"summaryDescription":"","physicalDescription":"Pen and ink sketch of a painting on the window-splay in the north wall of West Chiltington Church in Sussex. The sketch depicts Christ as Piers Plowman. He is shown semi-naked, surrounded by tools of labour.","artistMakerPerson":[{"name":{"text":"Ernest William Tristram","id":"A32223"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"AAT14109"},{"text":"ink","id":"AAT15012"}],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pen and ink drawing on paper","categories":[{"text":"Drawings","id":"THES48966"},{"text":"Christianity","id":"THES48978"},{"text":"Designs","id":"THES48968"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2009CD3703"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"19","box":""}],"partTypes":[[{"text":"drawing","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"20th century","earliest":"1900-01-01","latest":"1999-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"7.8125","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"3.25","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1928. </u> London: HMSO, 1929","marksAndInscriptions":[{"content":"'E. W. Tristram.'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed"}],"objectHistory":"The painting copied in this sketch is dated ca. 1400 and is located in Chiltington Church in Sussex, where it is situated on a window-splay the north wall.\r\n\r\nThe association of Christ with Piers Plowman comes from a theory presented by the artist himself. Tristram proposed that certain representations of the crucified Christ, preserved on the walls of English country churches, were inspired by William Langland’s poem ‘Piers Plowman.’ In these paintings the figure is surrounded by tools of labour that are arranged to form a halo or glory. This lead Tristram to assert that they were presenting an analogy linking Christ’s suffering and crucifixion to the life of the labourer. He suggests that this idea comes from Piers Plowman as the poem preaches salvation through labour. (Information from D'Evelyn, Charlotte. Piers Plowman in Art. Modern Language Notes. April 1919, vol. 34, No. 4.)","historicalContext":"","briefDescription":"Drawing by Ernest Tristram, sketch of a painting on the window-splay in the north wall of West Chiltington Church in Sussex, pen and ink on paper, Great Britain, 20th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1928. </u> London: HMSO, 1929"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Christ","id":"N1515"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.834-1928"],"accessionNumberNum":"834","accessionNumberPrefix":"E","accessionYear":1928,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-24","recordCreationDate":"2009-06-30","availableToBook":false}}