{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O75427"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O75427/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LK6661/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LK6661/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LK6661","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AN9368","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O75427/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O75427","accessionNumber":"T.449-1985","objectType":"Handbag","titles":[],"summaryDescription":"In the early nineteenth century, reticules began to resemble the later handbag, in both construction and fastening.  Rigid shapes were made from moulded papier-mache or card overlaid with silk in forms such as a circle, a lyre or an urn, the two halves hinged with silk or kid, or with concertina sides.  One popular shape was a moulded shell shape.","physicalDescription":"Red velvet reticule with a body of papier-mâché pressed in the shape of a scallop shell and with alternating daisies and roses impressed round the border. With a metal chain and cut steel mount with a twisted catch and loops for attachment of a steel chain which is retained as a double link by a ring in the middle. Cut steel flowers-shaped studs are fastened at intervals round the border. The bag is folded into a concertina shape and the sides and bottom are covered in pink satin. Inside it is faced with white linen.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"papier-mâché","id":"AAT14245"},{"text":"steel","id":"AAT133751"},{"text":"linen","id":"x29412"}],"techniques":[{"text":"velvet weave","id":"x46483"},{"text":"moulded","id":"x30076"},{"text":"mounted","id":"AAT81370"},{"text":"impressed","id":"x36460"},{"text":"satin weave","id":"x37324"}],"materialsAndTechniques":"Velvet and moulded papier-mâché, with chain and cut steel mount, covered in satin and faced with linen","categories":[{"text":"Accessories","id":"THES48998"},{"text":"Europeana Fashion Project","id":"THES265804"},{"text":"Bags","id":"THES284620"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2019LK6661","2006AN9368"],"imageResolution":"high","galleryLocations":[{"current":{"text":"011","id":"THES306615"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Handbag","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":"possibly"},{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":"possibly"}],"productionDates":[{"date":{"text":"1820-1840","earliest":"1820-01-01","latest":"1840-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"5.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"top","note":""},{"dimension":"Length","value":"6.75","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"maximum","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchased. Registered File number 1985/2197.","historicalContext":"","briefDescription":"Reticule, silk velvet, linen, steel, France or Great Britain, 1820-1840","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Musée de la Mode et du Costume</u>: 'Indispensables Accessoires XVIe-XXe siècle, 8 Decembre 1983 - 23 Avril 1984'. Paris. p. 57"},{"reference":{"text":"","id":""},"details":"","free":"<u>Musée de la Mode et du Costume</u>: 'Indispensables Accessoires XVIe-XXe siècle, 8 Decembre 1983 - 23 Avril 1984'. Paris. p. 59"},{"reference":{"text":"","id":""},"details":"","free":"D'Allemagne, D. <u>Les Accessoires du Costume</u>. Paris, 1901 Vol. I, pl. CII, No. r"},{"reference":{"text":"","id":""},"details":"","free":"<u>Allgemeine Modenzeitung</u>, Plate 3"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"shell","id":"AAT11829"},{"text":"flowers","id":"x35571"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"FASCINATION WITH THE NATURAL WORLD\r\n\r\nBag designs have long been inspired by the vibrant colours and shapes of the natural world. Pineapples, for example, became a symbol of opulence and exoticism across the arts after their introduction into Europe in the 17th century. 'Pineapple Mania' reached a pinnacle in 19th century England when pineapple-shaped bags and accessories were the height of fashion [T.531&amp;2-1996]. Contemporary designers have continued this trend by using realistic materials and shapes, such as Emily Jo Gibbs’ spiky horse chestnut bag that opens to reveal a conker-shaped purse.\r\n\r\nV&amp;A, Room 40, Bags: Inside Out. ","date":{"text":"12/2020","earliest":"2020-12-01","latest":"2020-12-31"}}],"partNumbers":["T.449-1985"],"accessionNumberNum":"449","accessionNumberPrefix":"T","accessionYear":1985,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-24","recordCreationDate":"2003-02-26","availableToBook":true}}