{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O74313"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O74313/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AN7414/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AN7414/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AN7414","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AX6112","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AX6044","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O74313","accessionNumber":"M.33-1990","objectType":"Bracelet","titles":[],"summaryDescription":"Gijs Bakker was born in 1942 and studied at the Amsterdam Academy of Art and the Konstfack Skolen in Stockholm. He was one of the first artist-jewellers to experiment with synthetic and non-precious materials in the late 1960s and early 1970s. With his wife, Emmy van Leersum, he dominated the radical jewellery scene in the Netherlands.","physicalDescription":"Clear acrylic disk slit in the middle and the acrylic formed into a larger space for the wrist.","artistMakerPerson":[{"name":{"text":"Bakker, Gijs","id":"A7533"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Acrylic","id":"AAT14426"}],"techniques":[],"materialsAndTechniques":"Acrylic","categories":[{"text":"Jewellery","id":"THES48930"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2006AN7414","2006AX6112","2006AX6044"],"imageResolution":"low","galleryLocations":[{"current":{"text":"91 (VA)","id":"THES49703"},"free":"","case":"37","shelf":"C","box":"2"}],"partTypes":[[{"text":"Bracelet","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Netherlands","id":"x29020"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1967","earliest":"1967-01-01","latest":"1967-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Diameter","value":"11.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"4.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"Bakker originally worked in traditional materials like silver and gold, but was one of the first artist-jewellers (late 1960s- early 1970s) to develop jewellery made from synthetic materials and non-precious metals- steel and aluminium. From the mid 1960s to early 1970s Dutch jewellery was dominated by the radical work of Gijs Bakker and his wife Emmy van Leersum.","briefDescription":"Clear acrylic, designed and made by Gijs Bakker, Holland, 1967.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Clare Phillips, <font -u>Jewels and Jewellery</font>, V&A Publications 2000."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["M.33-1990"],"accessionNumberNum":"33","accessionNumberPrefix":"M","accessionYear":1990,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LN4625","2019LT3337","2019LU9309"],"recordModificationDate":"2025-05-02","recordCreationDate":"2003-02-13","availableToBook":false}}