{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O73266"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O73266/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AM0239/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AM0239/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AM0239","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AM0238","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O73266/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O73266","accessionNumber":"29408A/1","objectType":"Engraving","titles":[{"title":"The Farnese Hercules","type":"generic title"}],"summaryDescription":"The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. The sharply defined quality of line engraving is produced with a tool called a burin, which consists of a steel rod with a sharpened point and bevelled edge. As the burin is pushed at an acute angle over the copper printing plate, it slices and lifts a sliver of metal. Goltzius had a masterful command of the burin. He used it with varying pressure to create lines that swell and taper, and which communicate form and energy.","physicalDescription":"Engraving, two men looking at a statue of Hercules, which is seen from behind. ","artistMakerPerson":[{"name":{"text":"Goltzius, Hendrick","id":"A7371"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Goltzius, Hendrick","id":"A7371"},"association":{"text":"engraver (printmaker)","id":"AAT25165"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"},{"text":"paper (fiber product)","id":"AAT14109"}],"techniques":[{"text":"engraving","id":"AAT53225"}],"materialsAndTechniques":"Engraving on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Printmaking techniques","id":"THES252987"},{"text":"Sculpture","id":"THES48896"},{"text":"Myths & Legends","id":"THES49005"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AM0239","2006AM0238"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"EDUC","shelf":"9","box":"D"}],"partTypes":[[{"text":"print","id":""}],[{"text":"engraving","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Netherlands","id":"x29020"},"association":{"text":"engraved","id":"AAT53829"},"note":""}],"productionDates":[{"date":{"text":"ca. 1592","earliest":"1587-01-01","latest":"1596-12-31"},"association":{"text":"engraved","id":"AAT53829"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"420","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"trimmed to"},{"dimension":"Width","value":"300","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"trimmed to"}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Engraving. Hendrik Goltzius. The Farnese Hercules, ca 1592.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Hercules","id":"N179"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"sculpture","id":"AAT47090"}],"contentConcepts":[{"text":"mythology","id":"AAT55985"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"In his engraving of a celebrated Roman sculpture Goltzius has included two observers. Their position helps to convey the scale and physicality of the sculpture, and their attentive viewing highlights its importance. They are often identified as Goltzius himself and his stepson Jacob Matham.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["29408A/1"],"accessionNumberNum":"29408","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2003-01-21","availableToBook":false}}