{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O73078"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O73078/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AM6512/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AM6512/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AM6512","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O73078/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O73078","accessionNumber":"REPRO.1892-84","objectType":"Hand","titles":[{"title":"Left hand of General Giuseppe Garibaldi","type":"generic title"}],"summaryDescription":"No known works by Sir Joseph Edgar Boehm are recorded in connection with the Italian patriot Garibaldi, so the purpose of this plaster model is unknown. It was given to the Museum in 1892 by the executors of the late Sir Joseph's estate, as one in a collection of casts of hands.\n\nBoehm (1834-1890) was an English sculptor and medallist born in Austrian, as the youngest son of Joseph Daniel Boehm (1794–1865), a court medallist and director of the Imperial Mint at Vienna. From 1848 to 1851 Joseph Edgar attended Leigh’s art academy (later Heatherley’s) in London and drew the Parthenon marbles in the British Museum. On his return to Vienna he enrolled at the Akademie der Bildenden Künste. Around 1858–9 he visited Italy, where he developed a lasting admiration for early Renaissance sculpture. From 1859 to 1862 he worked in Paris and was influenced by the work of Paul Gayrard (1807–1855). Boehm settled in London in 1862 where he befriended John Leech and John Everett Millais, both of whom he portrayed in statuettes in 1863. A statuette of William Makepeace Thackeray (1864) led to an edition of 70 plaster casts. Boehm frequently worked in terracotta, a material common in French sculpture but less familiar in English. Queen Victoria’s admiration of Boehm’s statuettes led to an association with the royal family that lasted from 1869 until his death. Most of Boehm’s works are portrait busts. Boehm was immensely prolific: some 360 different works are documented. He was a highly consistent sculptor, rarely deviating from his brand of realism. He was modest about his immense popularity and aware of his imaginative shortcomings (cit.: M. Stocker: 'Boehm, Joseph Edgar').","physicalDescription":"Left hand and portion of the wrist of General Guiseppe Garibaldi.","artistMakerPerson":[{"name":{"text":"Boehm, Joseph Edgar (Sir)","id":"A6882"},"association":{"text":"sculptor","id":"AAT25181"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"plaster","id":"AAT14922"}],"techniques":[{"text":"casting","id":"AAT53104"}],"materialsAndTechniques":"Plaster cast","categories":[{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AM6512"],"imageResolution":"high","galleryLocations":[{"current":{"text":"004","id":"THES396095"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Hand","id":""}],[{"text":"Model","id":"AAT247279"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1862 - ca. 1882","earliest":"1857-01-01","latest":"1886-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by the executors of the artist","dimensions":[{"dimension":"Length","value":"22.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Given by the Executors of the late Sir J.E. Boehm in 1892.","historicalContext":"","briefDescription":"Model, plaster cast, left hand of General Giuseppe Garibaldi, by Sir Joseph Edgar Boehm, after 1862-84","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Bilbey, Diane and Trusted, Marjorie. <u>British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum</u>. London: Victoria and Albert Museum, 2002, p. 219, cat.no. 333\r\n"},{"reference":{"text":"","id":""},"details":"","free":"<u>List of Objects in the Art Division South Kensington Museum acquired during the Year 1892. Arranged according to the dates of acquisition, with appendix and indices.</u> London: Eyre and Spottiswoode, 1893. pp. 219, cat. no. 333."},{"reference":{"text":"","id":""},"details":"","free":"<u>List of Reproductions in Electrotype and Plaster acquired by the South Kensington Museum in the Year 1892</u>, London, 1893, p. 12\r\n\r\n"},{"reference":{"text":"","id":""},"details":"","free":"Cormier, Brendan and Thom, Danielle, eds. <u>A World of Fragile Parts</u>, London, 2016, pp. 148-149."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"hand","id":"x31539"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["REPRO.1892-84"],"accessionNumberNum":"84","accessionNumberPrefix":"REPRO","accessionYear":1892,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-06-10","recordCreationDate":"2003-01-15","availableToBook":false}}