{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O727347"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O727347/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2015HJ8041/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2015HJ8041/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2015HJ8041","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O727347/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O727347","accessionNumber":"E.687-1941","objectType":"Satirical print","titles":[{"title":"Double Bass. Proposals for six practical Duets adapted to any instrument.","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"Satirical etching showing two musicians playing a double bass while a third musican holding a violin screams behind, his finger in his ear. On a wall is a picture showing Sarah Baartman marching while a drummer plays her exaggerated posterior like a drum.","artistMakerPerson":[{"name":{"text":"Cruikshank, George","id":"A8303"},"association":{"text":"etcher","id":"AAT25174"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"etching","id":"AAT53241"},{"text":"hand-colouring","id":"AAT133555"}],"materialsAndTechniques":"hand-coloured etching","categories":[{"text":"Caricatures & Cartoons","id":"THES48983"},{"text":"Prints","id":"THES48903"},{"text":"Satire","id":"THES250449"},{"text":"Musical instruments","id":"THES48919"},{"text":"Black History","id":"THES48989"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2015HJ8041"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"GG","shelf":"69","box":"B"}],"partTypes":[[{"text":"print","id":""}],[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"Yes-racial-stereotyping","note":"NB The term 'Hottentot' was used historically to describe people of African heritage, specifically the Khoi (or Khoekhoe) people, but, since the 1960s, has become outdated and increasingly is considered offensive. This term is repeated here in its original historical context."}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"published","id":"x30682"},"note":""}],"productionDates":[{"date":{"text":"May 10 1811","earliest":"1811-05-10","latest":"1811-05-10"},"association":{"text":"published","id":"x30682"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by W.E.C. Schofield","dimensions":[{"dimension":"Height","value":"9.375","unit":"in","qualifier":"","date":{"text":"1941","earliest":"1941-01-01","latest":"1941-12-31"},"part":"","note":""},{"dimension":"Width","value":"7.75","unit":"in","qualifier":"","date":{"text":"1941","earliest":"1941-01-01","latest":"1941-12-31"},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"NB The term 'Hottentot' was used historically to describe people of African heritage, specifically the Khoi (or Khoekhoe) people, but, since the 1960s, has become outdated and is offensive. This term is repeated here in its original historical context.\n\nA picture on the wall depicts Sarah Baartman (before 1790-d. 1815) (also known as Saartje Bartman(n) or Baartmen), who was a Khoikhoi woman exhibited in Europe in the early 1810s under the title the \"Hottentot Venus\".","historicalContext":"","briefDescription":"George Humphrey, etched by George Cruikshank. Double Bass. Proposals for six practical Duets adapted to any instrument. May 10 1811, London. Hand-coloured etching","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1941</u>, London: HMSO, 1954."},{"reference":{"text":"","id":""},"details":"","free":"A.M. Cohn. <u>George Cruikshank, a Catalogue Raisonné . . . 1806-1877</u>. London, 1924."},{"reference":{"text":"","id":""},"details":"","free":"British Museum, <u>Catalogue of Politicial and Personal Satires [c.1320-1832]</u> London, 1870-1954.\r\n"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.687-1941"],"accessionNumberNum":"687","accessionNumberPrefix":"E","accessionYear":1941,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-24","recordCreationDate":"2009-06-30","availableToBook":false}}