{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O72651"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O72651/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GL0423/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GL0423/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GL0423","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AY9351","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KK1611","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O72651/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O72651","accessionNumber":"IM.120-1914","objectType":"Drawing","titles":[],"summaryDescription":"","physicalDescription":"Kalighat painting in watercolour and tin alloy on paper; Yasoda, the foster mother of Krishna, is holding a pitcher in her left arm whilst taking the infant for a walk.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"watercolour","id":"AAT15045"},{"text":"tin alloy","id":"AAT10978"},{"text":"paint","id":"AAT15029"},{"text":"paper","id":"AAT14109"}],"techniques":[{"text":"painted","id":"AAT54216"}],"materialsAndTechniques":"Painted in watercolour and tin alloy on paper","categories":[{"text":"Paintings","id":"THES48917"},{"text":"Religion","id":"THES48900"},{"text":"Hinduism","id":"THES48941"},{"text":"Bonita Trust Indian Paintings Cataloguing Project","id":"THES263148"}],"styles":[{"text":"Kalighat Painting","id":"x35063"}],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2013GL0423","2006AY9351","2017KK1611"],"imageResolution":"high","galleryLocations":[{"current":{"text":"003","id":"THES403785"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"painting","id":"AAT33618"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Kolkata","id":"x32018"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca.1890","earliest":"1885-01-01","latest":"1894-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Ernest H. Hindley, Esq.","dimensions":[{"dimension":"Height","value":"17","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"11","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Historical significance: Calcutta was recognised as the Capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century.\r\n\r\nGiven by Ernest H. Hindley, Esq., Lightcliffe[?], Shepherd's Hill, Highgate, N. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.\r\n\r\nRP 1914-2063M","historicalContext":"","briefDescription":"Kalighat painting, Yasoda taking Krishna for a walk, watercolour and tin alloy on paper, Kolkata, ca. 1890","bibliographicReferences":[{"reference":{"text":"Kalighat paintings : a catalogue and introduction / by W.G. Archer. London: H. M. Stationery Office, 1971 Number: 0112900291 :","id":"AUTH337614"},"details":"fig. 73, cat. no. 31, xv: p.90","free":""},{"reference":{"text":"Archer, W.G., Bazaar Paintings of Calcutta, Victoria & Albert Museum, H.M.S.O., 1955","id":"AUTH348279"},"details":"p.23, fig. 30","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"Yasoda, the foster mother of Krishna, is holding a pitcher in her left arm whilst taking the infant for a walk.","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Yasoda","id":"N4092"},{"text":"Krishna","id":"N748"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"deities","id":"x31373"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The infant Krishna, depicted in customary blue, is being taken for a walk by his foster mother Jason, the pitcher indicating that she is going to fetch water from the well. The skill of the painter is seen in his ability to paint complex figures in a few simple brush strokes. The curvaceous body, the circular face with large eyes and defining eyebrows, and the minimal folds of the sari are typical of the Kalighat artists' depiction of women.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["IM.120-1914"],"accessionNumberNum":"120","accessionNumberPrefix":"IM","accessionYear":1914,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2003-01-07","availableToBook":true}}