{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O71917"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O71917/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AM0731/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AM0731/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AM0731","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O71917","accessionNumber":"E.319-1935","objectType":"Print","titles":[{"title":"Odalisque et coupe de fruits","type":"assigned by artist"}],"summaryDescription":"Although Henri Matisse (1869-1954) is celebrated as one of the great colourists of the 20th century, drawing in black and white was extremely important to him. This included his lithographs, of which he made over 300. Of these, almost a third are in the V&A's collection. Very many are of female figures, nude or otherwise dressed in exotic clothes, as they appear in his paintings. Matisse stressed that it was relationships between colours, rather than individual colours on their own, which gave them impact; monochrome lithography gave him the opportunity to experiment with, and analyse, the tonal relationships that juxtapositions of different colours provide.","physicalDescription":"Henri Matisse, lithograph of a woman seated on the floor with a bowl of fruit in front of her","artistMakerPerson":[{"name":{"text":"Henri Matisse","id":"A6845"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Duchatel","id":"A7087"},"association":{"text":"printer","id":"x30811"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"lithograph","id":"x39981"}],"materialsAndTechniques":"Lithograph ","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AM0731"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"ES","shelf":"117","box":"C"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Paris","id":"x29068"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1925","earliest":"1925-01-01","latest":"1925-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by the National Art-Collections Fund","dimensions":[{"dimension":"Height","value":"13.125","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"10.25","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <i>Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1935</i>  London: HMSO, 1935.","marksAndInscriptions":[{"content":"Signed in pencil 'Henri-Matisse'\r\nNumbered 2/50","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"pencil","method":"","position":"","script":"","translation":"","transliteration":"","type":"1) Signature","note":""},{"content":"2/50","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"pencil","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"pencil"}],"objectHistory":"","historicalContext":"","briefDescription":"Henri Matisse, <i>Odalisque et coupe de fruits</i>, 1925","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Matisse, his art and his textiles: the fabric of dreams</u> London: Royal Academy of Arts, 2005. 212p. ISBN: 1903973473."},{"reference":{"text":"","id":""},"details":"","free":"Timmers, Margaret (ed), <i>Impressions of the Twentieth Century: Fine Art Prints from the V&A's Collection</i>, London, V&A Publications, 2001"},{"reference":{"text":"","id":""},"details":"","free":"<i>Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1935</i>  London: HMSO, 1935"},{"reference":{"text":"","id":""},"details":"","free":"Susan Lambert, <i>Matisse Lithographs</i>, London: HMSO, 1972"}],"production":"The print was printed by Duchâtel under the supervision of Matisse. Cited in M Duthuit-Matisse and  Claude Duthuit: Henri Matisse: Catalogue Raisonné de l'oeuvre gravé. Paris  1983. D.466.","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"odalisque","id":"AAT249146"},{"text":"concubine","id":"x35492"}],"contentConcepts":[{"text":"exoticism","id":"AAT55783"}],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.319-1935"],"accessionNumberNum":"319","accessionNumberPrefix":"E","accessionYear":1935,"otherNumbers":[{"type":{"text":"","id":""},"number":"D.72"}],"copyNumber":"2/50","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-07","recordCreationDate":"2002-12-12","availableToBook":false}}