{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O71828"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O71828/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LY8548/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LY8548/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LY8548","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AM1944","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LY8549","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O71828/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O71828","accessionNumber":"E.4756-1960","objectType":"Print","titles":[{"title":"The Void","type":"assigned by artist"}],"summaryDescription":"Paul Nash (1889-1946) is known not only as a painter but also as an illustrator and designer. In fact, his original choice of profession was 'illustrator' rather than painter. During the First World War he was an official war artist and gained a reputation for visionary landscapes. His illustrative prints, such as the 'Genesis' series, continued this line of poetic interpretation. His sense of design, as well as his choice of medium (woodcut was favoured for black and white illustration), influenced the formal qualities of his printmaking.","physicalDescription":"print on paper","artistMakerPerson":[{"name":{"text":"Nash, Paul","id":"A819"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Nonesuch Press","id":"A6889"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"woodcut","id":"AAT53296"},{"text":"wood engraving","id":"AAT53303"}],"materialsAndTechniques":"Wood engraving on paper","categories":[{"text":"Christianity","id":"THES48978"},{"text":"Woodcuts","id":"THES267451"}],"styles":[{"text":"Modernist","id":"AAT21474"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019LY8548","2006AM1944","2019LY8549"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"EW","shelf":"128","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"published","id":"x30682"},"note":""}],"productionDates":[{"date":{"text":"1924","earliest":"1924-01-01","latest":"1924-12-31"},"association":{"text":"published","id":"x30682"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs Margaret Nash, widow of the Artist.","dimensions":[{"dimension":"Height","value":"39.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"28.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Paul Nash 1924","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"pencil","method":"","position":"","script":"","translation":"","transliteration":"","type":"Signature; date","note":"Signature; date; pencil"},{"content":"edition 12. set 5.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"pencil","method":"","position":"","script":"","translation":"","transliteration":"","type":"Maker's identification","note":"Maker's identification; pencil"},{"content":"Geneis The Void","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"pencil","method":"","position":"","script":"","translation":"","transliteration":"","type":"Maker's identification","note":"Maker's identification; pencil"},{"content":"Set 5 of 5 sets","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"Unknown","note":"Unknown"}],"objectHistory":"","historicalContext":"","briefDescription":"Paul Nash, The Void from <i>Genesis</i>, a volume with twelve wood engravings, published by Nonesuch Press, 1924 ","bibliographicReferences":[],"production":"Attribution note: This print is inscribed in pencil 'edition 12. set 5.' but it is one of only two proofs taken, it is the working proof, the final state is in the British Museum. The '12' may refer to the number of illustrations to the published work. The V&A also possesses the original block.","productionType":{"text":"Artist's proof","id":"THES48869"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[{"text":"Genesis","id":"V151"}],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"Creation","id":"AAT69002"}],"contentLiteraryRefs":["The Bible: Genesis"],"galleryLabels":[{"text":"Rich in abstraction and symbolism, Nash’s <i>Genesis</i> book illustrations were startlingly modern for their time. Nash gradually introduced more lines into his woodblocks – moving from a few marks in ‘The Void’ to vigorous cross hatching in ‘The Sun and Moon’. The contrast between the black and white lines created the effect of light emanating from the page, reflecting the biblical story of God’s creation of the world.","date":{"text":"August 2019","earliest":"2019-08-01","latest":"2019-08-31"}}],"partNumbers":["E.4756-1960"],"accessionNumberNum":"4756","accessionNumberPrefix":"E","accessionYear":1960,"otherNumbers":[],"copyNumber":"Plate one from a set of twelve illustrating the Book of Genesis","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2002-12-10","availableToBook":false}}