{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O71696"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O71696/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AW2020/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AW2020/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AW2020","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O71696/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O71696","accessionNumber":"E.38-1969","objectType":"Woodblock print","titles":[{"title":"Woman at a Mirror","type":"generic title"},{"title":"Edo Beauties","type":"series title"}],"summaryDescription":"Kikukawa Eizan (1787-1867) produced many superior prints of beautiful women. Some scholars have suggested that this series Edo Beauties takes the eleventh-century Japanese novel 'The Tale Of Genji' as its theme, and thus it is surmised that there may have been 54 sheets to it to correspond to the number of chapters in the novel. However, apart from this work, only four prints from the series are known and many may not have been published. The woman depicted here with a side comb in her hair may be about to apply her makeup. On the mirror stand is a packet of famous face powder.","physicalDescription":"Woodblock print. Nishiki-e (full-colour print). Figure in mirror. Some scholars have suggested that this series takes the Tale Of Genji as its theme, and thus it is surmised that there may have been 54 sheets to it to correspond to the number of chapters in the novel. However, apart from this work, only four others are known and many may not have been published. The woman depicted here with a side comb in her hair may be about to apply her makeup. On the mirror stand is a packet of famous face powder.\r\nOban size. Signature: Kikugawa Eizan hitsu. Publisher: Mikawaya Heihachi","artistMakerPerson":[{"name":{"text":"Kikukawa Eizan","id":"A7668"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"Woodblock print","id":"x38448"}],"materialsAndTechniques":"Woodblock print on paper","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2006AW2020"],"imageResolution":"high","galleryLocations":[{"current":{"text":"003","id":"THES393798"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Woodblock print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Japan","id":"x29399"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1820","earliest":"1815-01-01","latest":"1824-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Mr Paul Shelving","dimensions":[{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"9.625","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Woodblock print, 'Woman at a Mirror' from the series 'Edo Beauties', by Kikukawa Eizan (1787-1867), Japan, ca.1820","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Beautiful Women \r\n\r\nImages known as ukiyo-e (‘pictures of the floating world’) were immensely popular during the Edo period (1615–1868). Produced in very large numbers, they reflected a world that celebrated hedonism, consumerism and living for the moment. Depictions of beautiful women abounded, especially the glamorous and trend-setting courtesans of Japan’s major cities. These five prints by leading artists show some of the variations in hair-style and kimono design of the time.\r\n","date":{"text":"18/09/2015","earliest":"2015-09-18","latest":"2015-09-18"}}],"partNumbers":["E.38-1969"],"accessionNumberNum":"38","accessionNumberPrefix":"E","accessionYear":1969,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2002-12-08","availableToBook":true}}