{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O71565"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O71565/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GK4341/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GK4341/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GK4341","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AH2041","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O71565/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O71565","accessionNumber":"IS.240-1953","objectType":"Drawing","titles":[{"title":"Shiva as Mahayogi","type":"generic title"}],"summaryDescription":"","physicalDescription":"Painting, in opaque watercolour and tin alloy on paper, depicting Shiva as the great ascetic Mahayogi is shown seated cross-legged on the ground with a cobra around his neck and another on his turban. He is wearing a necklace of tiny silver detail (executed in tin alloy) and a tiger-skin <i>dhoti</i>, and holds a <i>huqqa</i> in his right hand.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"opaque watercolour","id":"x35013"},{"text":"paper","id":"AAT14109"},{"text":"paint","id":"AAT15029"},{"text":"tin alloy","id":"AAT10978"}],"techniques":[{"text":"painted","id":"AAT54216"}],"materialsAndTechniques":"Painted in opaque watercolour and tin alloy on paper","categories":[{"text":"Paintings","id":"THES48917"},{"text":"Hinduism","id":"THES48941"},{"text":"Religion","id":"THES48900"},{"text":"Bonita Trust Indian Paintings Cataloguing Project","id":"THES263148"}],"styles":[{"text":"Kalighat","id":"AAT18988"}],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2013GK4341","2006AH2041"],"imageResolution":"high","galleryLocations":[{"current":{"text":"006","id":"THES403788"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"painting","id":"AAT33618"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Kolkata","id":"x32018"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1865 - ca. 1870","earliest":"1860-01-01","latest":"1874-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by the University Museum  of Archaeology and Ethnology, Cambridge, to which the series was presented by Mrs. Western of Langbrookside, Havant, Hampshire","dimensions":[{"dimension":"Height","value":"444","unit":"mm","qualifier":"maximum","date":{"text":"31/07/2013","earliest":"2013-07-31","latest":"2013-07-31"},"part":"","note":""},{"dimension":"Width","value":"280","unit":"mm","qualifier":"maximum","date":{"text":"31/07/2013","earliest":"2013-07-31","latest":"2013-07-31"},"part":"","note":""}],"dimensionsNote":"31/07/13 dimensions measured as part of Indian Paintings Cataloguing Project 2013; object irregular in shape","marksAndInscriptions":[{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Historical significance: Calcutta was the capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected local history, mythology, customs and conflicts of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century.","historicalContext":"","briefDescription":"Painting, Shiva as Mahayogi, opaque watercolour and tin alloy on paper, Kalighat. Kolkata, ca. 1865-1870","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Archer, W.G (1973) Kalighat Painting, HMSO, London, p54, fig 19."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"Mahayogi is shown seated cross-legged on the ground with a cobra around his neck and another on his turban.","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Shiva","id":"N922"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"cobra","id":"x34785"},{"text":"deity","id":"x31373"},{"text":"tiger-skin","id":"x45522"},{"text":"huqqa","id":"x47888"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"From the 1820s to the 1930s a new style of painting characterised by its simple bold brush strokes became the most important form of popular art in Calcutta. The temple of Kali at Kalighat attracted hundreds of pilgrims daily. Local artisans painted images of Hindu deities to sell to these pilgrims as cheap souvenirs. These became known as Kalighat paintings. This image shows the Hindu god Shiva with his characteristic tiger skin, cobras and matted hair.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["IS.240-1953"],"accessionNumberNum":"240","accessionNumberPrefix":"IS","accessionYear":1953,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-24","recordCreationDate":"2002-12-05","availableToBook":true}}