{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O71083"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O71083/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AM2056/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AM2056/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AM2056","copyright":"©Victoria and Albert Museum, London/Josef Albers","sensitiveImage":false},{"assetRef":"2011EY7843","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AT8089","copyright":"©Victoria and Albert Museum, London/Josef Albers","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O71083","accessionNumber":"E.34-1994","objectType":"Woodcut","titles":[{"title":"Tlaloc","type":"assigned by artist"}],"summaryDescription":"The German-born Josef Albers (1888-1976) was one of the most influential artists of the 20th century. His work with colour and  geometric form  gave rise to many new ideas about space in visual perception. In 1933 he emigrated to the USA, where he settled. This woodcut shows him working toward the totally geometric abstraction that characterised his work from the 1960s. Albers made the first of fourteen visits to Mexico in 1935 and was much influenced by the art and architecture of that country. Tlaloc was a Mexican god of water and Albers used the pattern of the grain in the wood to suggest the surface of water. The spidery geometry of a figure hanging above it gives an ambiguous depth to the pictorial space.","physicalDescription":"print on paper","artistMakerPerson":[{"name":{"text":"Albers, Josef","id":"A6763"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT15012"},{"text":"Japanese paper","id":"AAT14143"}],"techniques":[{"text":"woodcut","id":"AAT53296"}],"materialsAndTechniques":"Woodcut on Japanese paper","categories":[{"text":"Woodcuts","id":"THES267451"}],"styles":[{"text":"Geometric abstraction","id":"x35363"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AM2056","2011EY7843","2006AT8089"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"234","box":""}],"partTypes":[[{"text":"prints","id":"AAT41273"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"1944","earliest":"1944-01-01","latest":"1944-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"associatedObjects":[],"creditLine":"Given by the Josef Albers Foundation","dimensions":[{"dimension":"Height","value":"39.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"28.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Albers","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"1) Signature","note":"1) Signature"},{"content":"44","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"1944","earliest":"1944-01-01","latest":"1944-12-31"},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"Date","note":"Date; 1944"}],"objectHistory":"","historicalContext":"","briefDescription":"Josef Albers: woodcut: Tlaloc. 1944","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Eugen Gomringer: Josef Albers. New York, 1968, p.12 (illus.)\r\nWerner Spies: Josef Albers. Stuttgart, 1971. p.11.\r\nNicholas Fox-Weber: The Drawings of Josef Albers. New Haven and London, 1984 p.10.(illus.)\r\nRosemary Miles in: Margaret Timmers [Ed.] Impressions of the Twentieth Century. London, V&A Museum, 2001, p.80 (illus.)"},{"reference":{"text":"","id":""},"details":"","free":"A complete list of exhibitions up to 1988 is published in: Getulio Alviani [Ed.] Josef Albers. Milan, 1988. See also: Josef Albers: touring exhibition, South Bank Centre exhibition"}],"production":"","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Tlaloc[Mexican water god]","id":"N1587"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"Mythology","id":"AAT55985"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Josef Albers created experimental optical effects by combining the qualities of materials with carefully cut lines. Here, he used the woodgrain of the block as part of his composition to suggest a rippling surface (<i>Tlaloc</i> refers to a Mexican god of water). The print is spatially ambiguous because the white lines of the geometric form appear to float above the picture plane.","date":{"text":"August 2019","earliest":"2019-08-01","latest":"2019-08-31"}}],"partNumbers":["E.34-1994"],"accessionNumberNum":"34","accessionNumberPrefix":"E","accessionYear":1994,"otherNumbers":[],"copyNumber":"5/35","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2002-11-29","availableToBook":false}}