{"meta":{"version":"2.0","images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BG8255/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BG8255/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BG8255","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2007BP5945","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2007BP5947","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AP7294","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KA1005","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018LA0223","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O70735/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O70735","accessionNumber":"1717-1855","objectType":"Plate","titles":[],"summaryDescription":"During the Renaissance a distinction was drawn between fine art and the decorative arts. Maiolica painters were regarded as artisans who copied or freely followed printed sources or designs provided by major artists, but some regarded themselves as artists in their own right and signed their work. This dish shows a maiolica painter at work, magnificently dressed and watched by wealthy patrons. It was made at Cafaggiolo, a small potters' workshop set up in the grounds of a Medici villa near Florence to satisfy the needs of its aristocratic owners. It was probably painted by Maestro Jacopo, one of the most skilled maiolica painters of his time, here clearly making a statement about his aspirations as a fine artist and about his noble patronage.\r\nIt was once mistakenly thought that the artist shown was Raphael (1483-1520), painting a maiolica dish for his important patrons.","physicalDescription":"Tin-glazed earthenware dish (maiolica) painted in colours with an artist decorating a plate, marked 'SP' in monogram crossed by a paraph.","artistMakerPerson":[{"name":{"text":"Jacopo Maestro","id":"A20450"},"association":{"text":"painted by","id":"x28695"},"note":"probably"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"earthenware","id":"x29356"},{"text":"tin glaze","id":"AAT233436"}],"techniques":[{"text":"glazing (coating)","id":"AAT53914"}],"materialsAndTechniques":"Tin-glazed earthenware, painted in colours","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"SCRAN","id":"THES48897"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2006BG8255","2007BP5945","2007BP5947","2006AP7294","2017KA1005","2018LA0223"],"imageResolution":"high","galleryLocations":[{"current":{"text":"SHLN","id":"THES49063"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Plate","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Cafaggiolo","id":"x35306"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1510","earliest":"1510-01-01","latest":"1510-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Diameter","value":"23.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchase. Formerly Bernal Collection. Bernal Sale Catalogue, Christie & Manson, 5th March 1855, p. 159, lot 1848 plate opposite p. 148. Before that in the collection of the Duke of Buckingham at Stowe, sold in 1848. ","historicalContext":"During the Renaissance a distinction was drawn between fine art and the decorative arts. Maiolica painters were regarded as artisans who copied or freely followed printed sources or designs provided by major artists, but some regarded themselves as artists in their own right and signed their work. This dish shows a maiolica painter at work, magnificently dressed and watched by wealthy patrons. It was made at Cafaggiolo, a small potters' workshop set up in the grounds of a Medici villa near Florence to satisfy the needs of its aristocratic owners. It was probably painted by Maestro Jacopo, one of the most skilled maiolica painters of his time, here clearly making a statement about his aspirations as a fine artist and about his noble patronage.","briefDescription":"Tin-glazed earthenware dish (maiolica) painted in colours with an artist decorating a plate, Cafaggiolo, about 1510.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Hildyard, Robin. European Ceramics. London : V&A Publications, 1999. 144 p., ill. ISBN 185177260X"},{"reference":{"text":"","id":""},"details":"","free":"Liefkes, Reino and Hilary Young eds. Masterpieces of World Ceramics in the Victoria and Albert Museum London: V&A Publishing, 2008. p.64"},{"reference":{"text":"Baker, Malcolm, and Brenda Richardson (eds.), A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.","id":"AUTH348910"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["1717-1855"],"accessionNumberNum":"1717","accessionNumberPrefix":"","accessionYear":1855,"otherNumbers":[{"type":{"text":"Rackham (1940)","id":"THES56972"},"number":"307"}],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LT5226","2019LW2796"],"recordModificationDate":"2024-02-15","recordCreationDate":"2002-11-25"}}