{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O70631"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O70631/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BT2746/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BT2746/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BT2746","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AW2116","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JX3991","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O70631/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O70631","accessionNumber":"7163-1860","objectType":"Dish","titles":[],"summaryDescription":"Makers of Italian maiolica at Deruta and Gubbio adopted the lustre technique of Spain in the 16th century. They developed it to its highest level of refinement. In this technique, a thin layer of metallic oxide is fused on to a decorated vessel of tin-glazed earthenware.","physicalDescription":"Tin-glazed earthenware dish (maiolica), painted in cobalt-blue and yellow lustre with a portrait of lady.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Earthenware","id":"x29356"},{"text":"Tin glaze","id":"AAT233436"}],"techniques":[{"text":"glazing (coating)","id":"AAT53914"}],"materialsAndTechniques":"Tin-glazed earthenware","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"Maiolica","id":"THES49023"},{"text":"Earthenware","id":"THES48964"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2008BT2746","2006AW2116","2017JX3991"],"imageResolution":"high","galleryLocations":[{"current":{"text":"143 (VA)","id":"THES49867"},"free":"","case":"11","shelf":"1","box":""}],"partTypes":[[{"text":"Plate","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Deruta","id":"x35295"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1520","earliest":"1515-01-01","latest":"1524-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Diameter","value":"40","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"TIMOR DOMINI SVI E FILIVM SVVM","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"on surface of dish - part of decorration","script":"","translation":"","transliteration":"","type":"","note":"on surface of dish -"}],"objectHistory":"","historicalContext":"","briefDescription":"Tin-glazed earthenware dish (maiolica), painted in cobalt-blue and yellow lustre with a bust of a woman, Deruta, Italy, ca. 1520","bibliographicReferences":[{"reference":{"text":"Hildyard, Robin. European Ceramics. London: V&A Publications, 1999.","id":"AUTH406296"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"Mallet, J.V.G.. Transfer printing in Italy and England.  <u>Transactions of the English Ceramic Circle</u>, 2011, vol. 22, pp. 89-115.  Illustrated plate 37.  'Italian potters sometimes,. as at 16th -century Deruta or 17th and 18th century Castelli, pricked a series of pin-holes through a drawing or print, and through these pounced rows of dots in charcoal (burnt off during the subsequent firing) with the aid of which a painter could draw his outlines.  The half-length of a woman on the Deruta dish (37) was copied from a figure in the frescoes by Pietro Perugino at the Cambio in nearby Perugia.  Perugino and his school were themselves in the habit of pouncing outlines through pricked cartoons, so it is likely the potters adapted the process from that of the painters.'"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["7163-1860"],"accessionNumberNum":"7163","accessionNumberPrefix":"","accessionYear":1860,"otherNumbers":[{"type":{"text":"Rackham (1940)","id":"THES56972"},"number":"475"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-02","recordCreationDate":"2002-11-22","availableToBook":false}}