{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O69775"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O69775/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AU2116/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AU2116/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AU2116","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O69775/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O69775","accessionNumber":"68025","objectType":"Photograph","titles":[{"title":"Pavillon Richelieu, Louvre, Paris","type":"generic title"}],"summaryDescription":"","physicalDescription":"Black and white photograph of a facade in highly decorated architecture with a pavilion in the middle that leaps out from the rest of the facade. ","artistMakerPerson":[{"name":{"text":"Le Gray, Gustave","id":"A6509"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"albumen process","id":"AAT133274"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Albumen print","categories":[{"text":"Images Online","id":"THES48937"},{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AU2116"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"EXP","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"albumen print","id":"AAT127121"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1857-1859","earliest":"1852-01-01","latest":"1861-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Chauncey Hare Townshend ","dimensions":[{"dimension":"Width","value":"384","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Height","value":"510 ","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Townshend Bequest, 1868.","historicalContext":"","briefDescription":"Photograph of Pavillon Richelieu, Louvre, Paris by Gustave Le Gray (French, 1820-1882); albumen print; France; ca.1857-1859.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Pavillon Richelieu","id":"x35162"},{"text":"Louvre","id":"x35745"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"buildings","id":"AAT4792"},{"text":"museums","id":"AAT5768"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre 2018-20:\n</b>\r\n\r\n\r\nCollection in Focus: Chauncy Hare Townshend (1798–1868)\r\n\r\nChauncy Hare Townshend was one of the few serious collectors of photography in the early years of its development. Apart from Prince Albert, he remains the only identifiable British private collector of early photographs on such a scale. He was an extremely wealthy art collector and connoisseur who moved in the highest social and literary circles – Charles Dickens even dedicated Great Expectations to him. Townshend bequeathed his large art collection, including paintings, furniture, gemstones, books and coins, as well as his photographs, to the South Kensington Museum (now the V&A) in 1868. His impressive photography collection ranged from images of political, military and contemporary events to a particularly striking group of French fine art photographs. Practising photographers tended to collect photographs, exchanging works as examples of style and process. But Townshend, who was not a photographer, recognised both photography’s documentary value, and even more so, its exciting new artistic capabilities.\r\n12. Gustave Le Gray (1820–84)\r\nPavillon Richelieu, Louvre, Paris\r\n1857–59\r\nAlbumen print\r\nMuseum no. 68025","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["68025"],"accessionNumberNum":"68025","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2002-11-11","availableToBook":false}}