{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O69374"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O69374/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GK4339/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GK4339/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GK4339","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AM6234","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O69374/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O69374","accessionNumber":"IS.232-1953","objectType":"Painting","titles":[{"title":"Krishna kneeling at Radha's feet","type":"generic title"}],"summaryDescription":"","physicalDescription":"Kalighat painting depicting the blue-skinned god Krishna kneeling at Radha's feet. Sitting in a chair, Radha is wearing a traditional Hindu costume of a skirt (<i>ghaghra</i>) and blouse (<i>choli)</i>, which is decorated with the use of tiny dots and lines to represent silver jewellery (executed in tin alloy). A strong yellow is used for human flesh tones and shading. In between the couple is a tree with green foliage.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"opaque watercolour","id":"x35013"},{"text":"paper","id":"AAT14109"},{"text":"paint","id":"AAT15029"},{"text":"tin alloy","id":"AAT10978"}],"techniques":[{"text":"painted","id":"AAT54216"}],"materialsAndTechniques":"Painted in opaque watercolour and tin alloy on paper","categories":[{"text":"Paintings","id":"THES48917"},{"text":"Hinduism","id":"THES48941"},{"text":"Religion","id":"THES48900"},{"text":"Bonita Trust Indian Paintings Cataloguing Project","id":"THES263148"}],"styles":[{"text":"Kalighat","id":"AAT18988"}],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2013GK4339","2006AM6234"],"imageResolution":"high","galleryLocations":[{"current":{"text":"006","id":"THES403788"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"painting","id":"AAT33618"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Kolkata","id":"x32018"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1865 - ca. 1870","earliest":"1860-01-01","latest":"1874-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by the University Museum  of Archaeology and Ethnology, Cambridge, to which the series was presented by Mrs. Western of Langbrookside, Havant, Hampshire","dimensions":[{"dimension":"Height","value":"441","unit":"mm","qualifier":"","date":{"text":"31/07/2013","earliest":"2013-07-31","latest":"2013-07-31"},"part":"","note":""},{"dimension":"Width","value":"278","unit":"mm","qualifier":"maximum","date":{"text":"31/07/2013","earliest":"2013-07-31","latest":"2013-07-31"},"part":"","note":""}],"dimensionsNote":"31/07/13 dimensions measured as part of Indian Paintings Cataloguing Project 2013; object irregular in shape","marksAndInscriptions":[],"objectHistory":"Historical significance: Calcutta was recognised as the capital of British India from 1833-1912. By the 1830s, artists had arrived from rural villages in Bengal and began to produce paintings that reflected the local history, mythology, customs and conflics of a colonised society. As a popular art form, these artists are recognised for their use of brilliant colour, simplified images and swift brushstrokes that became the hallmark of Kalighat painting in the 19th and early 20th century.","historicalContext":"","briefDescription":"Painting, Krishna mollifying Radha, opaque watercolour and tin alloy on paper, Kolkata, ca. 1865-1870","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Archer, WG (1971) 'Kalighat Painting' Victoria and Albert Musuem, London HMSO, p31."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"Krishna kneeling at Radha's feet.","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Krishna","id":"N748"},{"text":"Radha","id":"N1084"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"tree","id":"x37637"},{"text":"deities","id":"x31373"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["IS.232-1953"],"accessionNumberNum":"232","accessionNumberPrefix":"IS","accessionYear":1953,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-23","recordCreationDate":"2002-11-06","availableToBook":true}}