{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O69326"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O69326/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AJ7429/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AJ7429/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AJ7429","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AJ7871","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O69326/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O69326","accessionNumber":"C.326-1915","objectType":"Fragment","titles":[],"summaryDescription":"The religious conflicts that affected the British Isles in the 16th and 17th centuries had a devastating effect upon the decorative arts and furnishings of the Christian church. Much of the medieval stained glass in churches and cathedrals was damaged and only survives in a fragmentary state.\r\n\r\nThis fragment is a small pinnacled section of arcading which originally would have formed part of a canopied structure. In the 15th century many churches had decorated windows with images of saints standing under elaborate canopies and framed by columns, themselves composed of arcading. This fragment probably came from one of the columns flanking such a saint.\r\n\r\nIn contrast to traditional stained glass, which was coloured with metallic oxides when molten, this fragment was made using a technique introduced to England in the early part of the 14th century. This consisted of painting a compound of silver on the back of the glass. After firing in a kiln, the silver compound would turn yellow. Many panels from the 14th and 15th centuries are decorated simply in yellow (silver) stain and highlighted with a brown–black pigment.","physicalDescription":"Fragment of clear glass painted in brown and yellow (silver) stain. Part of a canopy.","artistMakerPerson":[],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"glass","id":"AAT10797"}],"techniques":[{"text":"painting","id":"x30598"},{"text":"silver staining","id":"x38899"}],"materialsAndTechniques":"Stained glass: Clear glass painted in brown pigment and yellow (silver) stain","categories":[{"text":"Stained Glass","id":"THES48891"},{"text":"British Galleries","id":"THES48985"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2006AJ7429","2006AJ7871"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES392109"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Fragment","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"mid 15th century","earliest":"1425-01-01","latest":"1475-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mr. Grosvenor Thomas","dimensions":[{"dimension":"Height","value":"6.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"2.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Taken from Stained Glass Handlist","marksAndInscriptions":[],"objectHistory":"","historicalContext":"The religious conflicts that affected the British Isles in the 16th and 17th centuries had a devasting effect upon the decorative arts and furnishings of the Christian church. Much of the stained glass in churches and cathedrals was damaged and only survives in a fragmentary state.\r\n\r\nThis fragment is a small pinnacled section of arcading which originally would have formed part of an canopied structure. In the 15th century many churches had decorated windows with images of saints standing under elaborate canopies and framed by columns, themselves composed of arcading. This fragment probably came from one of the columns flanking such a saint.\r\n\r\nIn contrast to traditional stained glass, which was coloured with metallic oxides when in a molten state, this fragment was decorated using a new technique introduced in England in the early 14th century. This consisted of painting a compound of silver on the back of the glass. After firing in a kiln, the silver compound turns yellow. Many panels from the 14th and 15th centuries are decorated simply in yellow (silver) stain and highlighted with a brown/black pigment.","briefDescription":"Stained glass fragment, clear glass painted in yellow (silver) stain and dark brown pigment. Depicting part of a pinnacled canopy, English mid 15th century.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["C.326-1915"],"accessionNumberNum":"326","accessionNumberPrefix":"C","accessionYear":1915,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-19","recordCreationDate":"2002-11-06","availableToBook":true}}