{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O692864"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O692864/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2024NU4611/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2024NU4611/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2024NU4611","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O692864/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O692864","accessionNumber":"E.500-1968","objectType":"Print","titles":[{"title":"Martins Album","type":"series title"},{"title":"Joshua commanding the sun to stand still","type":"generic title"}],"summaryDescription":"","physicalDescription":"One of  84 cuttings from proof impressions of the mezzotints of John Martin, compiled together with three engravings after Martin by H. Le Keux, W. F. Starling and W. R. Smith. Mounted in a volume assembled by the artist, full-bound in tooled leather, lettered on the spine 'Martins Album'. With a letter from an official of the 'Chambre du Roi' of Charles X of France affixed to the inside of the cover. Inscribed in ink throughout, probably by the artist, with titles, etc. Inscribed in pencil on the fly-leaf by the artist's son Charles Martin 'Containing 80 [<i>sic</i>] cuttings from various engravings from the works of John Martin, selected and arranged by himself and in many instances touched by his own hand. C.M.  May 1854'.","artistMakerPerson":[{"name":{"text":"John Martin","id":"A2285"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"mezzotint","id":"AAT53233"},{"text":"engraving (printing process)","id":"AAT53225"}],"materialsAndTechniques":"Mezzotints and engravings","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2024NU4611"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"92","shelf":"C","box":"24"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"second quarter 19th century","earliest":"1825-01-01","latest":"1850-12-31"},"association":{"text":"made","id":"x28654"},"note":""},{"date":{"text":"1854","earliest":"1854-01-01","latest":"1854-12-31"},"association":{"text":"collected","id":"x45540"},"note":"date of assembly in album"}],"associatedObjects":[],"creditLine":"Purchased from the Estate of the late Thomas Balston, O.B.E., M.C.","dimensions":[{"dimension":"Height","value":"43","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"size of volume","note":""},{"dimension":"Width","value":"33","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"size of volume","note":""}],"dimensionsNote":"Dimensions taken from <u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1968.</u> London: HMSO, 1969.","marksAndInscriptions":[{"content":"'Containing 80 (Sic) cuttings from various engravings from the works of John Martin, selected and arranged by himself and in many instances touched by his own hand. C.M. May 1854'.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inscribed in ink throughout, probably by the artist with titles. Inscribed in pencil on the fly leaf by the artist's son Charles Martin."}],"objectHistory":"This album, which was Lot No. 137 in Christie's sale of the artist's furniture and works held at Lindsey House, Battersea Bridge, London on the 4th July 1854, is discussed in Thomas Balston p256, 257. The letter affixed to the cover acknowledges the gift of the artist's mezzotints of 'Belshazzar's feast', 'The Deluge' and 'Joshua Commanding the Sun to Stand Still'. Four of these prints were loose and may have been later insertions. E.504 and E.555 are unidentified.","historicalContext":"","briefDescription":"'Satan tempting Eve'. One of 84 cuttings from proof impressions of the mezzotints of John Martin (1789-1954), mounted in a leather-bound volume, lettered on the spine 'Martins Album', compiled by the artist. 19th century.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1968</u> London: HMSO, 1969."},{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1968</u> London: HMSO, 1969."},{"reference":{"text":"","id":""},"details":"","free":"Martin Myrone, ed. <u>John Martin. Apocalypse</u> London: Tate Publishing, 2011. ISBN: 978-1-85437-889-7."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Satan","id":"N1034"},{"text":"Eve","id":"N561"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"Biblical scenes","id":"x31338"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.500-1968"],"accessionNumberNum":"500","accessionNumberPrefix":"E","accessionYear":1968,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-28","recordCreationDate":"2009-06-30","availableToBook":false}}