{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O684089"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O684089/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2022NE7755/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2022NE7755/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2022NE7755","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O684089/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O684089","accessionNumber":"9077:23","objectType":"Drawing","titles":[],"summaryDescription":"","physicalDescription":"Organic design incoporating two wash colours to differentiate between foreground and background. A crown is apparent within the composition with the religious initials of \"IHS\" underneath the crown, standing for the Latin \"Jesus Savoir of Humankind\". Other motifs include flowers, vines, and leaves surrounding the central composition.","artistMakerPerson":[{"name":{"text":"Bruce James Talbert","id":"A5720"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pencil","id":"x30347"},{"text":"watercolour","id":"AAT15045"}],"techniques":[],"materialsAndTechniques":"","categories":[{"text":"Designs","id":"THES48968"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2022NE7755"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"Q","shelf":"9","box":"B1"}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"circa 1870s","earliest":"1865-01-01","latest":"1883-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"46.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"width","value":"36","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"\"NAL\" Mark for National Art Library (Prints and Drawings added to the collection between 1880-1900.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"","historicalContext":"","briefDescription":"Design by Bruce James Talbert (23 of 49) for fabrics, wallpapers, and decorative borders etc. Scottish, mid 19th century.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"MacDonald, Sally. “GOTHIC FORMS APPLIED TO FURNITURE: THE EARLY WORK OF BRUCE JAMES TALBERT.” Furniture History 23 (1987): 39–66."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["9077:23"],"accessionNumberNum":"9077","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-23","recordCreationDate":"2009-06-30","availableToBook":false}}