{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O66890"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O66890/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JR2066/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JR2066/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2016JR2066","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KV9629","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O66890","accessionNumber":"E.1654-2001","objectType":"Photogravure","titles":[{"title":"Le Souffle","type":"assigned by artist"}],"summaryDescription":"","physicalDescription":"Black and white photogravure of a photogram image of electric fan.","artistMakerPerson":[{"name":{"text":"Man Ray","id":"A6171"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Compagnie Parisienne de Distribution de l'Eléctricité","id":"A6172"},"association":{"text":"publishers","id":"AAT25574"},"note":""}],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Photogravure.","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2016JR2066","2018KV9629"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"970","box":"B"}],"partTypes":[[{"text":"photogravure","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1931","earliest":"1931-01-01","latest":"1931-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased with Art Fund support and the Friends of the V&A","dimensions":[{"dimension":"Height","value":"260","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Width","value":"204","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Height","value":"14.75","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Support","note":""},{"dimension":"Width","value":"10.875","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Support","note":""},{"dimension":"Height","value":"20","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Mount","note":""},{"dimension":"Width","value":"24","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Mount","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Black and white photogravure, 'Le Souffle' (photogram image of electric fan), from the 'Eléctricité' portfolio by Man Ray, published by Compagnie Parisienne de Distribution de l'Elétricité, Paris, 1931.","bibliographicReferences":[],"production":"From the 'Eléctricité' portfolio.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Man Ray was known for his experimental photography techniques. He often worked with photograms, a type of photograph made without a camera by placing objects onto light-sensitive paper. Here, the artist captured the illusion of the rotating blades of a fan as part of a series depicting modern innovations powered by electricity.","date":{"text":"May 2023","earliest":"2023-05-01","latest":"2023-05-31"}},{"text":"The Paris electricity company commisioned these images by Man Ray. At the time he was a successful fashion and portrait photographer, though he is better remembered for his Surrealist work. To explore the theme of electricity  he captured subjects including  neon lighting and domestic implements, as well as a torso crossed by ribbons representing currents of desire. ","date":{"text":"20/11/2012","earliest":"2012-11-20","latest":"2012-11-20"}},{"text":"Gallery 100, ‘History of photography’, 2012-2013, label texts :\r\n\r\nMan Ray (1890 – 1976)\r\nFrom the portfolio ‘Electricité’\r\n1931\r\nThe Paris electricity company commissioned these\r\nimages by Man Ray. At the time he was a successful\r\nfashion and portrait photographer. To explore the\r\ntheme of electricity he captured subjects including\r\nneon lighting and domestic implements, as well\r\nas a torso crossed by ribbons representing currents\r\nof desire.\r\n\r\nPhotogravures\r\nPurchased with the assistance of the Art Fund\r\nand the Friends of the V&A\r\nMuseum nos. E.1646, 1648, 1651, 1653-2001\r\n","date":{"text":"11 03 2014","earliest":"2014-03-11","latest":"2014-03-11"}},{"text":"<b>Cameraless Photography </b>\r\n\r\nMan Ray (1890–1976)\t\r\nLingerie; Salle à Manger; La Maison and Le Souffle from the portfolio Eléctricité \r\n1931\r\nPhotogravures from photograms\r\n26 x 20.4 cm each\r\nMuseums nos. E.1646, 1648, 1650, 1654-2001\r\nPurchased with the generous support of the Friends of the V&A and Art Fund\r\n\r\nMan Ray’s images from the Électricité portfolio are some of the best examples of the graphic and commercial use of the photogram, or what he called the ‘rayogram’ after his own name. Commissioned by a French energy company for its shareholders, the set of ten images showed the range of modern innovations that depended on electricity. Some incorporated camera-made with cameraless techniques. The four selected here – showing a hand with an iron, a toaster, a light shade and bulbs, and a fan – are purely cameraless. \r\n","date":{"text":"","earliest":null,"latest":null}},{"text":"Man Ray was known for his experimental photography techniques. He often worked with photograms, a type of photograph made without a camera by placing objects onto light-sensitive paper. Here, the artist captured the illusion of the rotating blades of a fan as part of a series depicting modern innovations powered by electricity.","date":{"text":"May 2023","earliest":"2023-05-01","latest":"2023-05-31"}},{"text":"The Paris electricity company commisioned these images by Man Ray. At the time he was a successful fashion and portrait photographer, though he is better remembered for his Surrealist work. To explore the theme of electricity  he captured subjects including  neon lighting and domestic implements, as well as a torso crossed by ribbons representing currents of desire. \n\n","date":{"text":"20/11/2012","earliest":"2012-11-20","latest":"2012-11-20"}}],"partNumbers":["E.1654-2001"],"accessionNumberNum":"1654","accessionNumberPrefix":"E","accessionYear":2001,"otherNumbers":[],"copyNumber":"155/500","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-12","recordCreationDate":"2002-08-07","availableToBook":false}}