{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O66886"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O66886/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017KC7118/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017KC7118/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2017KC7118","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KV9620","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O66886","accessionNumber":"E.1650-2001","objectType":"Photogravure","titles":[{"title":"La Maison","type":"assigned by artist"}],"summaryDescription":"In Paris in the early 1920s, the American artist Man Ray began working with the camera-less photogram process, which involves placing objects on photographic paper before exposing them to light. The Électricité portfolio is one of the best examples of the graphic and commercial use of this technique. Commissioned by a French energy company, it shows the range of modern innovations that depended on electricity.","physicalDescription":"Black and white photogravure of a photogram image of a lamp shade and light bulbs","artistMakerPerson":[{"name":{"text":"Man Ray","id":"A6171"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Compagnie Parisienne de Distribution de l'Eléctricité","id":"A6172"},"association":{"text":"publishers","id":"AAT25574"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"photogravure","id":"AAT53207"}],"materialsAndTechniques":"Photogravure","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2017KC7118","2018KV9620"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"970","box":""}],"partTypes":[[{"text":"photogravure","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1931","earliest":"1931-01-01","latest":"1931-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased with Art Fund support and the Friends of the V&A","dimensions":[{"dimension":"Height","value":"260","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Width","value":"204","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Image","note":""},{"dimension":"Height","value":"14.75","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Support","note":""},{"dimension":"Width","value":"10.875","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Support","note":""},{"dimension":"Height","value":"20","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Mount","note":""},{"dimension":"Width","value":"24","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Mount","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Black and white photogravure by Man Ray, 'La Maison' (photogram image of a lamp shade and light bulbs), from the 'Eléctricité' portfolio, 1931, Photogravure from a photogram","bibliographicReferences":[],"production":"From the 'Eléctricité' portfolio.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"electricity","id":"AAT55232"},{"text":"photogram","id":"x47168"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre 2018-20:</b>\n\nMan Ray (1890–1976)\r\nLa Maison, from the portfolio Électricité\r\n1931\r\n\r\nIn Paris in the early 1920s, the American artist Man Ray began working with the camera-less photogram process, which involves placing objects on photographic paper before exposing them to light. The Électricité portfolio is one of the best examples of the graphic and commercial use of this technique. Commissioned by a French energy company, it shows the range of modern innovations that depended on electricity.\r\n\r\nPhotogravure from a photogram\r\nPurchased with support from Art Fund and V&A Members \r\nMuseum no. E.1650-2001\r\n","date":{"text":"","earliest":null,"latest":null}},{"text":"The Paris electricity company commisioned these images by Man Ray. At the time he was a successful fashion and portrait photographer, though he is better remembered for his Surrealist work. To explore the theme of electricity  he captured subjects including  neon lighting and domestic implements, as well as a torso crossed by ribbons representing currents of desire. ","date":{"text":"20/11/2012","earliest":"2012-11-20","latest":"2012-11-20"}},{"text":"Gallery 100, ‘History of photography’, 2012-2013, label texts :\r\n\r\nMan Ray (1890 – 1976)\r\nFrom the portfolio ‘Electricité’\r\n1931\r\nThe Paris electricity company commissioned these\r\nimages by Man Ray. At the time he was a successful\r\nfashion and portrait photographer. To explore the\r\ntheme of electricity he captured subjects including\r\nneon lighting and domestic implements, as well\r\nas a torso crossed by ribbons representing currents\r\nof desire.\r\n\r\nPhotogravures\r\nPurchased with the assistance of the Art Fund\r\nand the Friends of the V&A\r\nMuseum nos. E.1646, 1648, 1651, 1653-2001\r\n","date":{"text":"11 03 2014","earliest":"2014-03-11","latest":"2014-03-11"}},{"text":"<b>Cameraless Photography </b>\r\n\r\nMan Ray (1890–1976)\t\r\nLingerie; Salle à Manger; La Maison and Le Souffle from the portfolio Eléctricité \r\n1931\r\nPhotogravures from photograms\r\n26 x 20.4 cm each\r\nMuseums nos. E.1646, 1648, 1650, 1654-2001\r\nPurchased with the generous support of the Friends of the V&A and Art Fund\r\n\r\nMan Ray’s images from the Électricité portfolio are some of the best examples of the graphic and commercial use of the photogram, or what he called the ‘rayogram’ after his own name. Commissioned by a French energy company for its shareholders, the set of ten images showed the range of modern innovations that depended on electricity. Some incorporated camera-made with cameraless techniques. The four selected here – showing a hand with an iron, a toaster, a light shade and bulbs, and a fan – are purely cameraless. \r\n","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.1650-2001"],"accessionNumberNum":"1650","accessionNumberPrefix":"E","accessionYear":2001,"otherNumbers":[],"copyNumber":"155/500","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2002-08-07","availableToBook":false}}