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Whistler's first major suite of prints, his 'French Set' brought critical acclaim but disappointing sales. Seeking more generous patrons, he moved to London in 1859. Initially under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the 'etching revival', he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters.\r\n\r\nIn this daring composition the two figures to the left are Whistler himself, drawing on a copperplate, and his friend and patron Sergeant Thomas, a rich lawyer who was involved in early plans for publication of the 'Thames Set' etchings. This novel little image was conceived as an announcement for the series, but Whistler's original etched lettering was mistakenly erased by the printers.","physicalDescription":"Etching by James Whistler, ‘The Little Pool’, from the Thames Set. 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W.72; K.74, 8th state.","historicalContext":"The artist sketching is Whistler himself; the man beside him is Mr Ralph Thomas, father of Mr Percy Thomas, RE.","briefDescription":"Etching by James Whistler, 'The Little Pool', from the Thames Set. Etched 1861, published in 'Sixteen Etchings of Scenes on the Thames, and Other Subjects,' London, 1871.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Wedmore, Frederick. <u>Whistler's Etchings, A Study and a Catalogue</u>. London: Colnaghi & Co, 1899. No.72."},{"reference":{"text":"","id":""},"details":"","free":"Kennedy, Edward G. <u>The Etched Work of Whistler</u>. San Francisco: Alan Wofsy Fine Arts, 1978. 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