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Whistler's first major suite of prints, his 'French Set' brought critical acclaim but disappointing sales.  Seeking more generous patrons, he moved to London in 1859. Initially under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the 'etching revival', he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters.","physicalDescription":"Etching by James Whistler, ‘Eagle Wharf’, from the Thames Set, etched 1859. In addition to early impressions the plate was printed and issued in 1871 as one of the ‘Sixteen Etchings of Scenes on the Thames, and Other Subjects,’ by Ellis and Green, 32 King Street, Covent Garden, in editions of one hundred. Signed and dated by the artist in plate. View of the River Thames. In the foreground a boy sits on a barge, facing the viewer. Behind, boats moored next to warehouses, with the Tyzac, Whiteley & Co. building and another lettered ‘Eagle Wharf’ at left. 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W.39; K.41.","historicalContext":"","briefDescription":"Etching by James Whistler, 'Eagle Wharf' from the Thames Set. Etched 1859, published in 'Sixteen Etchings of Scenes on the Thames, and Other Subjects,' London, 1871.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Wedmore, Frederick. <u>Whistler's Etchings, A Study and a Catalogue</u>. London: Colnaghi & Co, 1899. No.39."},{"reference":{"text":"","id":""},"details":"","free":"Kennedy, Edward G. <u>The Etched Work of Whistler</u>. San Francisco: Alan Wofsy Fine Arts, 1978. No.41."},{"reference":{"text":"","id":""},"details":"p. 90","free":"<u>James McNeill Whistler retrospective</u> [Tokyo] : NHK/NHK Promotions Inc., c2014. 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