{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O62609"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O62609/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011FD2258/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011FD2258/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2011FD2258","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2011FD2260","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O62609/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O62609","accessionNumber":"S.605-2001","objectType":"Shadow puppet","titles":[],"summaryDescription":"Chinese shadow puppetry is said to be over 2000 years old.  Its Chinese name  'pi ying' means 'shadow of hides' since the puppets were traditionally made from the donkey or ox hide. Shadow puppetry has been immensely popular in China, but due to its universal appeal was forbidden in China between 1796 to 1800, for fear of spreading peasant uprising.\r\n\r\nA Chinese shadow puppet troupe is made up of five people. One operates the puppets, one plays a suo-na horn, and a yu-kin, one plays banhu fiddle, one is in charge of percussion instruments, and one sings.","physicalDescription":"Shadow puppet made of pierced hide, painted with circular patterns and floral decoration in green, black and red.  Representing an aristocratic Chinese man wearing a high head-dress with flowing pig-tail decorations attached; a long jacket with flared sleeves and trousers, and high platform boots.  The puppet comprises 13 separate pieces, joined with twine at neck, elbows, wrists, waist and hips to make moveable joints.","artistMakerPerson":[],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"hide","id":"AAT11844"},{"text":"twine","id":"AAT14251"}],"techniques":[{"text":"pierced","id":"AAT231153"},{"text":"painted","id":"x30138"}],"materialsAndTechniques":"Pierced and painted hide with twine","categories":[{"text":"Entertainment & Leisure","id":"THES48959"},{"text":"Puppetry","id":"THES266219"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2011FD2258","2011FD2260"],"imageResolution":"high","galleryLocations":[{"current":{"text":"013","id":"THES379490"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"puppet","id":""}],[{"text":"shadow puppet","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"China","id":"x29398"},"association":{"text":"","id":""},"note":""},{"place":{"text":"Sichuan","id":"x29908"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"ca.1900","earliest":"1895-01-01","latest":"1904-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[{"object":{"text":"S.606-2001","id":"O62611"},"association":"Object"},{"object":{"text":"S.607-2001","id":"O62615"},"association":"Object"}],"creditLine":"Given by Countess Patricia Jellicoe","dimensions":[{"dimension":"Height","value":"31.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"top of head-dress to sole of  boot","note":""},{"dimension":"Width","value":"27.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"with arms and hands fully extended","note":""},{"dimension":"Width","value":"6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"width at hips, hands by the sides of the puppet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This figure would originally have had rods attached to the hands and to the neck, for manipulation in shadow puppet plays by operators who were concealed below white screens, lit from behind. The plays were accompanied by a sung story, with percussion and string music.\r\n\r\n\r\n","historicalContext":"Chinese shadow puppetry probably began during the Tang dynasty (618-907), although other sources credit its origins to the later Song Dynasty (960-1297)  It flourished as an art form in China, enjoyed by all classes,  though to the early years of the 20th century.  Although it survived in many regions during the 20th century, there have been recent efforts to revive its popularity, with troupes performing at home and abroad in international puppet festivals.","briefDescription":"Chinese shadow puppet, pierced and painted hide, of an elegant gentleman.  Probably from Sichuan, early 20th century.","bibliographicReferences":[],"production":"","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["S.605-2001"],"accessionNumberNum":"605","accessionNumberPrefix":"S","accessionYear":2001,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-03-05","recordCreationDate":"2001-09-20","availableToBook":true}}