{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O617629"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O617629/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014HC1524/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014HC1524/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2014HC1524","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O617629/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O617629","accessionNumber":"D.1457-1886","objectType":"drawing","titles":[{"title":"Elevation of Palazzo Barbaran da Porto, Vicenza","type":"generic title"}],"summaryDescription":"Palazzo Barbaran di Porto was realized between 1570 and 1575 for the Vicentine noble Montana Barbarano after the design of Andrea Palladio (1508-1509). Although the architect was required to respect several existing houses located on the site, the palace is the only grand city mansion which Palladio achieved to complete in its entirety. This drawing is an idealized depiction of the palace’s two-level façade. The ground level consists of an order of engaged Ionic columns over a rusticated wall, with openings distributed left and right of a central door. This contrasts with Palladio’s original design, where the door is placed asymmetrically to match the position of an existing entryway. A pulvinated, Ionic entablature separates the first level from the second. The second level is composed of an order of engaged Corinthian columns with alternating triangular and segmental pediments over the openings. The third level is an attic with square openings.\n\nThe drawing belongs to a set of 66 measured drawings of Italian Renaissance and Ancient Roman architecture which the V&amp;A purchased from Edwin Parsons in 1886. The Parsons set may belong to a larger series of over 700 architectural drawings scattered in English and international collections formerly owned by the British Consul at Venice, Joseph Smith (1682-1770). A proponent of Palladian architecture, Smith began collecting measured drawings of classical and Renaissance architecture from the early 1740s. Today, most of this material exists in a series of bound volumes at the Royal Collection (where the <i>Admiranda Artis Architecturae Varia</i> is kept) and at the British Library (which holds the three-volume <i>Admiranda Urbis Venetae</i>), as well as in loose sheets scattered in collections across Europe and North America including the Royal Institute of British Architects and the Canadian Centre for Architecture. \n\r\nThe author of these drawings is unknown. However, their style and subject matter suggests the involvement of the Venetian architect, painter, engraver and theorist Antonio Visentini (1688-1782). A member of the Venetian Academy since its foundation in 1755, Visentini was affiliated with Smith and executed a vast number of architectural drawings for the British Consul as well as for a broader British collector base. Most of these drawings are scaled in English feet and consist of simplified plans and elevations of exemplary Italian architecture. Often produced as a series, the drawings were purchased by British Gentlemen to be included in their libraries and collections. The present drawing forms part of this material. The drawing is not signed by Visentini, but may have been produced by one of Visentini’s workshop members or pupils or by an unknown draughtsman working in the style of Visentini.\r\n","physicalDescription":"Elevation of Palazzo Barbaran da Porto in Vicenza, in pencil, pen and ink with grey wash, on paper. The drawing, in a landscape format, depicts the façade of the building with a plan of the façade relief below. A linear scale in English feet is inscribed in pen in the bottom centre of the sheet. ","artistMakerPerson":[{"name":{"text":"Unknown, circle of Antonio Visentini (1688-1782)","id":"AUTH353400"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pencil","id":"x30347"},{"text":"pen and ink","id":"x30618"},{"text":"wash","id":"AAT11051"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"architectural drawing","id":"AAT54197"}],"materialsAndTechniques":"Pencil, pen and ink with grey wash on paper","categories":[{"text":"Drawings","id":"THES48966"},{"text":"Architecture","id":"THES48993"},{"text":"Designs","id":"THES48968"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2014HC1524"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"106","box":""}],"partTypes":[[{"text":"drawing","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Italy","id":"x28927"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"mid 18th century","earliest":"1725-01-01","latest":"1775-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"d.1445-1886","id":"O617641"},"association":""}],"creditLine":"","dimensions":[{"dimension":"Length","value":"494","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"Measurements taken at the opening of the mount"},{"dimension":"Width","value":"357","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"Measurements taken at the opening of the mount"}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Linear scale in English feet inscribed in pen in the bottom centre of the sheet. ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"The object was purchased from Edwin Parsons in 1886 as part of a collection of 66 drawings of Italian Renaissance and Ancient Roman architecture. Edwin Parsons was a dealer in books, prints and drawings. He was the founder of Edwin Parsons &amp; Sons (1850-1950s) at 45 Brompton Road SW7. Parsons had a notable client base reportedly including the writer William Makepeace Thackeray, Sir John Pierpoint Morgan (of J.P. Morgan), and Napoleon III.","historicalContext":"","briefDescription":"Elevation of Palazzo Barbaran da Porto, Vicenza, Italy, mid 18th century (made)","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"McAndrew, John. <u>Catalogue of the Drawings Collection of the Royal Institute of British Architects: Antonio Visentini</u>. Farnsborough: Gregg, 1974. 130p., ill. ISBN 0576159999."},{"reference":{"text":"","id":""},"details":"","free":"Modesti, Paola. I disegni architettonici di Antonio Visentini (1688-1782): un corpus autografo inedito e una produzione con un’etichetta da riconsiderare. <u>In</u>: Alessandro Bordini and Giovanna Curcio, eds. <u>Porre un limite all’infinito errore.’ Studi di storia dell’architettura dedicati a Christof Thoenes</u>. Rome: Campisano, 2014. pp. 191-208, ill. ISBN 8888168524."},{"reference":{"text":"","id":""},"details":"","free":"Vivian, Francis. <u>The Consul Smith Collection: masterpieces of Italian drawing from the Royal Library, Windsor Castle : Raphael to Canaletto</u>. Munich: Hirmer, 1989. 200 p., ill. ISBN 3777452505."}],"production":"This drawing is one of two elevations of Palazzo Barbaran da Porto included in the E. Parsons series (see D.1457-1886). Both depict the façade of the palace in simplified form omitting the bas-reliefs over the openings at ground level, the ornamentation of the frieze in the entablature of the Ionic order as well as the reclining figures and floreal decorations adorning the openings of the piano nobile. The drawing is comparable to a loose sheet at the Royal Institute of British Architects (SD40[212]). Palladio’s designs for the palace are included in his <i>I quattro libri dell'architettura</i> (The Four Books On Architecture).","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"palazzi","id":"AAT5512"},{"text":"buildings","id":"AAT4792"},{"text":"elevations","id":"AAT34065"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["D.1457-1886"],"accessionNumberNum":"1457","accessionNumberPrefix":"D","accessionYear":1886,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-07","recordCreationDate":"2009-06-30","availableToBook":false}}