{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O617599"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O617599/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014HC4158/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014HC4158/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2014HC4158","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O617599/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O617599","accessionNumber":"D.1487-1886","objectType":"drawing","titles":[{"title":"Elevation and plan of Ponte Santa Trinità, Florence","type":"generic title"}],"summaryDescription":"The bridge of Santa Trinità was built in Florence between 1566 and 1569 after the destruction of a pre-existing bridge during the 1557 flood of the river Arno. Its construction was supervised by the architect Bartolomeo di Antonio Ammanati (1511-1592), possibly on the basis of an earlier design by Michelangelo Buonarroti (1475-1564). The drawing depicts the elevation of the bridge with a plan beneath. The ornamental statues depicting the Seasons located left and right of the elevation were added in celebration of Cosimo II de’ Medici’s wedding with Marie Magdalene of Austria in 1608. In 1944, the bridge was destroyed by retreating German troupes. The current bridge is a 1958 reconstruction according to the sixteenth-century design.\n\nThe drawing belongs to a set of 66 measured drawings of Italian Renaissance and Ancient Roman architecture which the V&amp;A purchased from Edwin Parsons in 1886. The Parsons set may belong to a larger series of over 700 architectural drawings scattered in English and international collections formerly owned by the British Consul at Venice, Joseph Smith (1682-1770). A proponent of Palladian architecture, Smith began collecting measured drawings of classical and Renaissance architecture from the early 1740s. Today, most of this material exists in a series of bound volumes at the Royal Collection (where the <i>Admiranda Artis Architecturae Varia</i> is kept) and at the British Library (which holds the three-volume <i>Admiranda Urbis Venetae</i>), as well as in loose sheets scattered in collections across Europe and North America including the Royal Institute of British Architects and the Canadian Centre for Architecture. \n\r\nThe author of these drawings is unknown. However, their style and subject matter suggests the involvement of the Venetian architect, painter, engraver and theorist Antonio Visentini (1688-1782). A member of the Venetian Academy since its foundation in 1755, Visentini was affiliated with Smith and executed a vast number of architectural drawings for the British Consul as well as for a broader British collector base. Most of these drawings are scaled in English feet and consist of simplified plans and elevations of exemplary Italian architecture. Often produced as a series, the drawings were purchased by British Gentlemen to be included in their libraries and collections. The present drawing forms part of this material. The drawing is not signed by Visentini, but may have been produced by one of Visentini’s workshop members or pupils or by an unknown draughtsman working in the style of Visentini.\r\n","physicalDescription":"Elevation and plan of Ponte Santa Trinità in Florence, in pencil, pen and ink with grey wash on paper. The drawing, in a landscape format, depicts the elevation of the bridge seen from the river Arno with a plan below. A linear scale in English feet is inscribed in pen in the bottom centre of the sheet.  ","artistMakerPerson":[{"name":{"text":"Unknown, circle of Antonio Visentini (1688-1782)","id":"AUTH353400"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pencil","id":"x30347"},{"text":"pen and ink","id":"x30618"},{"text":"wash","id":"AAT11051"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"architectural drawing","id":"AAT54197"}],"materialsAndTechniques":"Pencil, pen and ink with grey wash on paper","categories":[{"text":"Drawings","id":"THES48966"},{"text":"Architecture","id":"THES48993"},{"text":"Designs","id":"THES48968"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2014HC4158"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"105","box":""}],"partTypes":[[{"text":"drawing","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Italy","id":"x28927"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"mid 18th century","earliest":"1725-01-01","latest":"1775-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"490","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"Measurements taken at the opening of the mount"},{"dimension":"Width","value":"356","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"Measurements taken at the opening of the mount"}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Linear scale in English feet inscribed in pen in the bottom centre of the sheet.  ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"‘Ponte di S. Trinita, Florence’, inscribed in pencil in the lower right in another hand.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"‘Ponte della Trinita, Firenze’, inscribed in pencil below in another hand.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"The object was purchased from Edwin Parsons in 1886 as part of a collection of 66 drawings of Italian Renaissance and Ancient Roman architecture. Edwin Parsons was a dealer in books, prints and drawings. He was the founder of Edwin Parsons &amp; Sons (1850-1950s) at 45 Brompton Road SW7. Parsons had a notable client base reportedly including the writer William Makepeace Thackeray, Sir John Pierpoint Morgan (of J.P. Morgan), and Napoleon III.","historicalContext":"","briefDescription":"Elevation and plan of Ponte Santa Trinità, Florence, Italy, mid 18th century (made)","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"McAndrew, John. <u>Catalogue of the Drawings Collection of the Royal Institute of British Architects: Antonio Visentini</u>. Farnsborough: Gregg, 1974. 130p., ill. ISBN 0576159999."},{"reference":{"text":"","id":""},"details":"","free":"Modesti, Paola. I disegni architettonici di Antonio Visentini (1688-1782): un corpus autografo inedito e una produzione con un’etichetta da riconsiderare. <u>In</u>: Alessandro Bordini and Giovanna Curcio, eds. <u>Porre un limite all’infinito errore.’ Studi di storia dell’architettura dedicati a Christof Thoenes</u>. Rome: Campisano, 2014. pp. 191-208, ill. ISBN 8888168524."},{"reference":{"text":"","id":""},"details":"","free":"Vivian, Francis. <u>The Consul Smith Collection: masterpieces of Italian drawing from the Royal Library, Windsor Castle : Raphael to Canaletto</u>. Munich: Hirmer, 1989. 200 p., ill. ISBN 3777452505."}],"production":"This drawing is comparable to loose sheets at the Royal Collection (RCIN 910563), at the Royal Institute of British Architects (SD32[7]1).","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"bridges","id":"AAT7838"},{"text":"buildings","id":"AAT4792"},{"text":"elevations","id":"AAT34065"},{"text":"floor plans","id":"AAT34158"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["D.1487-1886"],"accessionNumberNum":"1487","accessionNumberPrefix":"D","accessionYear":1886,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-23","recordCreationDate":"2009-06-30","availableToBook":false}}