{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O610600"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O610600/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2021NB4707/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2021NB4707/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2021NB4707","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AT1336","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O610600/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O610600","accessionNumber":"E.2221-1888","objectType":"Print","titles":[],"summaryDescription":"","physicalDescription":"A bride in an elaborately bustled white wedding dress trimmed with pleated frills and sprays of white flowers has her bracelet fastened by a woman in a rich green silk day dress trimmed with matching silk fringe, frills and applied bands in the same colour. The bride is in a wedding veil, her attendant wears a flower-trimmed bonnet. A small girl to the far right is turned away from the viewer, looking at herself in a mirror and lifting the back of her skirt upwards to mimic the bustle silhouette of the adults' skirts.","artistMakerPerson":[{"name":{"text":"H. Lefevre","id":"A35248"},"association":{"text":"printer","id":"x30811"},"note":""},{"name":{"text":"E Preval","id":"A31916"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"A. Bodin","id":"AUTH317081"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Adolphe Goubaud","id":"AUTH317083"},"association":{"text":"publisher","id":"x32600"},"note":"Original publisher."}],"artistMakerOrganisations":[{"name":{"text":"The Englishwoman's Domestic Magazine","id":"AUTH317082"},"association":{"text":"publisher","id":"x32600"},"note":"Originally published in <i>Moniteur de la Mode</i> in France."}],"artistMakerPeople":[],"materials":[{"text":"paper (fiber product)","id":"AAT14109"},{"text":"printing ink","id":"AAT187371"},{"text":"watercolour","id":"AAT15045"}],"techniques":[{"text":"engraving","id":"AAT53225"},{"text":"hand-colouring","id":"AAT133555"},{"text":"etching","id":"AAT53241"}],"materialsAndTechniques":"hand-coloured engraving and etching on paper","categories":[{"text":"Fashion plates","id":"THES48956"},{"text":"Fashion","id":"THES48957"},{"text":"Marriage","id":"THES48921"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2021NB4707","2006AT1336"],"imageResolution":"high","galleryLocations":[{"current":{"text":"125B","id":"THES49893"},"free":"","case":"CA1","shelf":"","box":"11"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":"Originally published in <i>Moniteur de la Mode</i> in France."},{"place":{"text":"United Kingdom","id":"x29336"},"association":{"text":"published","id":"x30682"},"note":"This impression of the plate"}],"productionDates":[{"date":{"text":"ca. 1872","earliest":"1867-01-01","latest":"1876-12-31"},"association":{"text":"published","id":"x30682"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"In 1852, publishing entrepreneur Samuel Beeton launched <i>The Englishwoman's Domestic Magazine</i> at  the startlingly low price of 2d a copy. An instant  success, it had achieved a circulation of 50,000 by 1860 and became the `blueprint for the modern magazine industry'. It appealed to the rapidly-expanding middle-class sector who relished the mix of  fiction, fashion and food, the latter provided by  Beeton's wife, the soon-to-be lionised Isabella. Isabella visited Paris regularly and acquired fashion plates from Adolphe Goubaud's <i>Moniteur de la Mode</i>. A feature of Beeton's magazine was the \"Practical Dress Instructor,\" a forerunner of the paper dressmaking  pattern. In 1861, Beeton followed up his success with <i>The Queen</i>, a weekly newspaper of more topical  character.","historicalContext":"","briefDescription":"Fashion plate, hand-coloured engraving and etching on paper, signed by E Preval and A. Bodin, printed by Lefevre, Paris, and published in The Englishwoman's Domestic Magazine, ca. 1872","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"E. Ehrman, <u>The Wedding Dress: 300 Years of Bridal Fashion</u>, V&A, 2011, page 81, fig 63."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.2221-1888"],"accessionNumberNum":"2221","accessionNumberPrefix":"E","accessionYear":1888,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-09-16","recordCreationDate":"2009-06-30","availableToBook":false}}