{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O592814"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O592814/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018KY5370/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018KY5370/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2018KY5370","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O592814/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O592814","accessionNumber":"E.1062-1952","objectType":"Woodcut","titles":[{"title":"Sculpture II","type":"assigned by artist"}],"summaryDescription":"Eric Gill (1882-1940) was a British engraver, author, typographic designer and sculptor who played a pivotal role in the development of modern British sculpture. His work adorns some of the nation's most notable public buildings, including Westminster Cathedral and Broadcasting House. He has become a controversial figure following the 1989 publication of a revelatory biography by Fiona MacCarthy. Nearly 50 years after his death, it emerged that Gill had kept diaries detailing his shocking acts of sexual abuse, incest and bestiality.","physicalDescription":"Woodcut","artistMakerPerson":[{"name":{"text":"Gill, Eric","id":"A4651"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"woodcut","id":"AAT53296"}],"materialsAndTechniques":"woodcut","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Woodcuts","id":"THES267451"},{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018KY5370"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"94","shelf":"D","box":"27.E"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1923","earliest":"1923-01-01","latest":"1923-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs Mary Gill, widow of the artist","dimensions":[{"dimension":"Height","value":"3.125","unit":"in","qualifier":"","date":{"text":"1952","earliest":"1952-01-01","latest":"1952-12-31"},"part":"","note":""},{"dimension":"Width","value":"1.625","unit":"in","qualifier":"","date":{"text":"1952","earliest":"1952-01-01","latest":"1952-12-31"},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Eric Gill. One of three designs for sculpture. 1923.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Mr. J. F. Physick, <u>Victoria and Albert Museum, Department of Engraving, Illustration and Design and Department of Paintings, Accessions 1952 Volume II: The Engravings of Eric Gill</u>, London, Her Majesty's Stationery Office, 1960:\r\n\r\nThe full text of the record is as follows:\r\n\r\n<b>'1923  </b>\r\n<b>\r\n228  </b>\r\n\r\nSculpture II. (D.197, 1st state) Proofs (2 on 1 sheet), showing slight variations, from the second block, an illustration on the cover and title-page to <i>Sculpture</i> (E.R.G.10) by the artist, printed by the St. Dominic's Press, Ditchling, Sussex, 1924. 1923.\r\n<i>Woodcuts.\r\n</i>E.1061 (1,2)-1952\r\n\r\nSculpture II. (D.197, 1st state) Proofs (2 on 1 sheet), showing slight variations, from the second block, an illustration on the cover and title-page to <i>Sculpture</i> (E.R.G.10) by the artist, published by  the St. Dominic's Press, Ditchling, Sussex, 1924. 1923. The block was subsequently used for illustration on page 29 of <i>Wood-Engravings</i> (E.R.G.410), No. 44 of the publications of the St. Dominic's Press, 1924; on Plate 57 of <i>Engravings by Eric Gill</i> (E.R.G.17), with a preface by the artist, printed by the Fanfare Press, London, published by Douglas Cleverdon, Bristol, 1929.\r\n<i>Woodcut.\r\n</i>E.1062-1952'"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.1062-1952"],"accessionNumberNum":"1062","accessionNumberPrefix":"E","accessionYear":1952,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-12-10","recordCreationDate":"2009-06-30","availableToBook":false}}