{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O57314"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O57314/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AA3582/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AA3582/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AA3582","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O57314/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O57314","accessionNumber":"E.1308:12-2001","objectType":"Drawing","titles":[],"summaryDescription":"Drawing of the Spa House looking towards Cheltenham, by Thomas Robins.\r\n\r\nThomas Robins is an enigmatic artist and, so far, little has been discovered of his life. He may be descended from the family of Robins who held the manor of Matson. He published a <i>Prospect of Bath</i> in 1757 and <i>A View of the Baths and Pump Room</i> in 1764. His son Thomas Robins the Younger was a drawing master.\r\n\r\nBetween 1747 and 1770, Robins produced a series of drawings and paintings of English country houses and, in particular, their gardens. His surviving drawings and paintings epitomise English rococo taste. Robins was either specially attracted to rococo gardens, or had a reputation for the delineation of such gardens in the circles of cognoscenti of the rococo. \r\n\r\nRobins and his work are of significant interest both topographically and aesthetically. His pictures of rococo gardens, with their vistas and ornamental buildings, are of great historical importance because they immortalise a fashion whose exemplars have disappeared. Robins, who was in many respects an 'amateur' painter, never succumbed to conventional facility and his views retain the charm and freshness of a personal discovery.","physicalDescription":"Drawing of the Spa House, on paper, in brown ink. It depicts a tree lined road with the entrance to the Spa House at the end. 'No 12' is written in brown ink in the bottom right hand corner. The drawing is in a landscape format and is attached to a page of the album.","artistMakerPerson":[{"name":{"text":"robins, thomas","id":"A5254"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Pen and ink on paper","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AA3582"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"94","shelf":"E","box":"46"}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"18th century","earliest":"1700-01-01","latest":"1800-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Accepted by H M Government in lieu of Inheritance Tax and allocated to the Victoria & Albert Museum, 2000","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Drawing of the Spa House looking towards Cheltenham, 18th century, by Thomas Robins","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.1308:12-2001"],"accessionNumberNum":"1308","accessionNumberPrefix":"E","accessionYear":2001,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-09-16","recordCreationDate":"2001-03-21","availableToBook":false}}