{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O57178"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O57178/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BH8915/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BH8915/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BH8915","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O57178/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O57178","accessionNumber":"E.1308:133-2001","objectType":"Drawing","titles":[],"summaryDescription":"Drawing of Smedmore House, Dorset, by Thomas Robins. Smedmore was the seat of the Clavell Family.\r\n\r\nThomas Robins is an enigmatic artist and, so far, little has been discovered of his life. He may be descended from the family of Robins who held the manor of Matson. He published a <i>Prospect of Bath</i> in 1757 and <i>A View of the Baths and Pump Room</i> in 1764. His son Thomas Robins the Younger was a drawing master.\r\n\r\nBetween 1747 and 1770, Robins produced a series of drawings and paintings of English country houses and, in particular, their gardens. His surviving drawings and paintings epitomise English rococo taste. Robins was either specially attracted to rococo gardens, or had a reputation for the delineation of such gardens in the circles of cognoscenti of the rococo. \r\n\r\nRobins and his work are of significant interest both topographically and aesthetically. His pictures of rococo gardens, with their vistas and ornamental buildings, are of great historical importance because they immortalise a fashion whose exemplars have disappeared. Robins, who was in many respects an ‘amateur’ painter, never succumbed to conventional facility and his views retain the charm and freshness of a personal discovery.","physicalDescription":"Drawing of a country house with cattle grazing in the foreground, on paper, in pencil. There is a tree in the foreground and a man in a cart being pulled along by horses. The drawing is in a landscape format and is attached to one page of the album.","artistMakerPerson":[{"name":{"text":"Robins, Thomas","id":"A5254"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Pencil on paper","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BH8915"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"94","shelf":"E","box":"46"}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"18th century","earliest":"1700-01-01","latest":"1800-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Accepted by H M Government in lieu of Inheritance Tax and allocated to the Victoria & Albert Museum, 2000","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Drawing of Smedmore Dorset, circa 1630, Seat of the Clavell Family, 18th century, by Thomas Robins","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.1308:133-2001"],"accessionNumberNum":"1308","accessionNumberPrefix":"E","accessionYear":2001,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-09-16","recordCreationDate":"2001-03-20","availableToBook":false}}