{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O56550"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O56550/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AN1126/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AN1126/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AN1126","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O56550/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O56550","accessionNumber":"979","objectType":"Watercolour","titles":[{"title":"Indian knife","type":"generic title"}],"summaryDescription":"<b>Object Type</b><br>As part of their training, students of design had to make detailed watercolour studies of all kinds of modern and historic objects, which their tutors thought significant. This process not only forced the students to examine very closely the construction of the object itself, but also taught them the drawing skills necessary for making presentation drawings of their own design work.<br><br><b>People</b><br>Christopher Dresser had trained at the Government Schools of Design at Somerset House, London, between 1847 and 1854, during which time he was strongly influenced by the design reform efforts of Henry Cole, Richard Redgrave and Owen Jones. This drawing, made while he was still a promising student, was of an object in the Indian Court at the Great Exhibition of 1851. Dresser was perhaps the most inventive of all Victorian designers, and unlike William Morris, was more than happy to see his designs produced by industrial methods. He designed furniture, textiles, wallpaper, linoleum, metalwork, glass and ceramics for industry.<br><br><b>Eclecticism</b><br>This Indian knife is a typically exotic example of the highly decorative objects from all over the world that Dresser as student had seen and was obliged to study and draw. They increased his enthusiasm for 'eclecticism' or the combining of widely differing influences and synthesising them into one design. During his subsequent career he was inspired by a very wide range of historic and foreign objects, including Gothic, Japanese, Chinese, Indian, Peruvian and Egyptian designs.","physicalDescription":"Watercolour drawing","artistMakerPerson":[{"name":{"text":"Dresser, Christopher","id":"A8351"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"watercolour","id":"x33202"}],"techniques":[{"text":"watercolour drawing","id":"x37878"}],"materialsAndTechniques":"Indian ink, watercolour and metallic pigments","categories":[{"text":"Arms & Armour","id":"THES48992"},{"text":"Scotland","id":"THES262877"},{"text":"Great Exhibition","id":"THES48945"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AN1126"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"179","box":""}],"partTypes":[[{"text":"watercolour","id":"x33202"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1851","earliest":"1851-01-01","latest":"1851-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"21","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"29.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions checked: Measured; 15/08/2000 by PaperCons\n\n\nEstimated size previously given 38 x 53.3","marksAndInscriptions":[{"content":"C Dresser","inscriber":{"name":{"text":"","id":"A8877"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"ink","method":"","position":"","script":"","translation":"","transliteration":"","type":"Signature","note":"Signature; ink"}],"objectHistory":"Painted in London by Christopher Dresser (born in Glasgow, 1834, died in Mulhouse, France, 1904)","historicalContext":"The knife depicted is a Pichangatti, a Tamil hand knife","briefDescription":"Study of an Indian knife and scabbard, Christopher Dresser, 1851","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"Knife","id":"x31542"},{"text":"Pichangatti","id":"x36693"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"British Galleries:\nThis knife was on display in the Indian Court at the Great Exhibition. Dresser was one of a group of students sent to draw significant objects as part of their design training. This process helped to improve their drawing skills and to teach them, by example, excellence in technique and application of ornament.","date":{"text":"25/03/2003","earliest":"2003-03-25","latest":"2003-03-25"}}],"partNumbers":["979"],"accessionNumberNum":"979","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LP6214","2019LP4796","2019LU3099"],"recordModificationDate":"2025-04-23","recordCreationDate":"2001-03-05","availableToBook":false}}