{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O517278"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O517278/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017JT1694/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017JT1694/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2017JT1694","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LY7631","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O517278/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O517278","accessionNumber":"CAI.401","objectType":"Drawing","titles":[],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2017JT1694","2019LY7631"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"IONIDES","shelf":"7","box":"B"}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[],"associatedObjects":[],"creditLine":"","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Style of Solimena, Francesco.\r\nA saint keenling before a vision of the Virgin and Child.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Ward-Jackson, Peter, <u>Italian Drawings Volume II. 17th-18th century</u>, London: Her Majesty's Stationary Office, 1980, P. 179.\n\nThe relevant text is as follows:\n\n<i>style of</i>\nSOLIMENA, FRANCESCO\n\n1183\n\nThe Virgin and Child, accompanied by angels, appearing to St Benedict: a design for an arched altar-piece\r\nPen and ink and wash; squared in red chalk\r\n18 5/8 x 11 5/8 (472 x 296)\t\t\t\t\tCAI. 401\r\n\nPROVENANCE Ionides Beques 1901 (Lugt 488)\r\n\nLITERATURE <i>Ionides Catalogue</i>, p. 17 (as anonymous)\r\n\r\nThe style is reminiscent of Solimena, particulary in the use of voluminous draperies and deep, emphatically defined folds. The drawing may be connected with Solimen’s work at Monte Cassino, the centre of the cult of St Benedict, destroyed in the last war. St Benedict is identifiable through the crow holding a white object, presumably a piece of bread, in its beak. According to legend th saint was saved from death by poisoning through a crow which carried off the noxious food. \r\n\r\n"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CAI.401"],"accessionNumberNum":"401","accessionNumberPrefix":"CAI","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2009-06-30","availableToBook":false}}