{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O516702"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O516702/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2015HN1334/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2015HN1334/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2015HN1334","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KV7853","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O516702/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O516702","accessionNumber":"CAI.1045","objectType":"Drawing","titles":[],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2015HN1334","2018KV7853"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"IONIDES","shelf":"6","box":"B"}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[],"associatedObjects":[],"creditLine":"","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Drawing , pen and wash, Trotti, Giovanni Battista, known as Malosso (formerly unattributed) A soldier kneeling before a priest.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Ward-Jackson, Peter, <u>Italian Drawings Volume I. 14th-16th century</u>, London: Her Majesty's Stationary Office, 1979, p. 166.\n\nThe relevant text is as follows:\n\nTROTTI, GIOVANNI, BATTISTA\n<i>known as</i> Malosso\n(1555-1619)\n\n351\n\n<i>Recto</i> The tyrant Ezzelino kneeling before St Anthony of Padua\r\nPen and ink\r\n\n<i>Verso</i> Seated male nude, rear view\r\nRed chalk overbalck chalk under-drawing\r\nSize of sheet 10 ½ x 7 ¾ (267 x 196)\t\t\t\tCAI.1045\r\n\nPROVENANCE G. Vallardi (Lugt 1223); Ionides Bequest 1901 (Lugt 488)\r\n\nLITERATURE<i> Ionides Catalogue</i>, p. 17 (as anonymous); exhibition catalogue, Il seicento lonardo, Milan, Pinacoteca Ambrosiana, 1792, no. 21, with pl. \r\n\r\nThe rect is a design for the oil painting, dated 1588, in S. Franesco at Lodi. Pouncey frist regonized Trotti’s hand in the drawing and thus made it possible to trace the connected picture. He has found a variant of the drawing in the Parma Gallery (inv. no. 511/2). Ther verso of our drawing appears to be by a later hand. \r\n"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["CAI.1045"],"accessionNumberNum":"1045","accessionNumberPrefix":"CAI","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2009-06-30","availableToBook":false}}