{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O509404"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O509404/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2007BP2466/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2007BP2466/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2007BP2466","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009CC4220","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O509404/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O509404","accessionNumber":"E.1219-2007","objectType":"Photograph","titles":[],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Moffat, Curtis","id":"A12876"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2007BP2466","2009CC4220"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB2H","shelf":"DR1","box":"DISPLAY PREPARATION"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"20th century","earliest":"1900-01-01","latest":"1999-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Penelope Smail","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"20th century gelatin silver print by Curtis Moffat depicting woman standing holding onto front of the Flying Scotsman steam train engine (Board 11).","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Gallery 100, ‘History of photography’, 2012-2013, label texts :\r\n\r\nCurtis Moffat (1887 – 1949)\r\nUntitled Studies\r\nAbout 1925 – 30\r\n\r\nMoffat’s snaps of what appear to be friends and\r\nfamily engaged in outdoor leisure activities show\r\nan eye for the quirky, witty and the surreal. A woman\r\nhangs from a locomotive, a man converses with a\r\nmannequin and an outdoor table setting shows an\r\napparently severed head as its centrepiece.\r\n\r\nGelatin silver prints\r\nGiven by Penelope Smail\r\nMuseum nos. E.987, 1011, 1018, 1038, 1046, 1057, 1060, 1097, 1219, 1260,\r\n1271, 1279, 1285, 1287, 1419, 1421-2007\r\n","date":{"text":"11 03 2014","earliest":"2014-03-11","latest":"2014-03-11"}},{"text":"Moffat was an American artist who worked in Paris with the Surrealist Man Ray. He later set up his own photographic studio and interior design company in London in the 1920s. His snapshots, some of which were used in advertising, capture the dynamic Modernist machine age. Speeding vehicles, stylish figures and fleeting glimpses give an impression of\r\nlife on the move.","date":{"text":"May 2023","earliest":"2023-05-01","latest":"2023-05-31"}}],"partNumbers":["E.1219-2007"],"accessionNumberNum":"1219","accessionNumberPrefix":"E","accessionYear":2007,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2009-06-30","availableToBook":false}}