{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O502692"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O502692/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LH4801/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LH4801/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2018LH4801","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JV0839","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O502692/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O502692","accessionNumber":"2267","objectType":"Drawing","titles":[{"title":"Design for a triumphal car carrying a model of a building like the Colosseum and two groups of human figures, larger in scale","type":"published title"}],"summaryDescription":"","physicalDescription":"drawing","artistMakerPerson":[{"name":{"text":"Peruzzi, Baldassarre","id":"A31193"},"association":{"text":"School of","id":"x43075"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pen and ink","id":"x30618"},{"text":"wash","id":"AAT11051"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"drawing","id":"x32498"}],"materialsAndTechniques":"Pen and ink and wash on paper","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[{"text":"Italian School","id":"x31264"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018LH4801","2017JV0839"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH","id":"THES49654"},"free":"","case":"PD","shelf":"103","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Italy","id":"x28927"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"16th century","earliest":"1500-01-01","latest":"1599-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"168","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"183","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Provenance: Sir T. Lawrence; S. Woodburn (sale, Christie, 4 June 1860, lot 36, together with No. 247 above [museum no. 2268], bought for the Museum)","historicalContext":"","briefDescription":"Drawing, Design for a triumphal car carrying a model of a building like the Colosseum and two groups of human figures, larger in scale, school of Baldassare Peruzzi, Italian School, pen and ink and wash, 16th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Ward Jackson, Peter, <u>Italian Drawings. Volume One: 14th - 16th century</u>, London, 1979, cat. 248 p. 123, illus.\n\nThe following is the full text of the entry:\n\n<i>school of</i>\r\nPERUZZI, BALDASSARE\r\n\r\n248\r\nDesign for a triumphal car carrying a model of a building like the Colosseum and two groups of human figures, larger in scale\r\nPen and ink and wash\r\n6 5/8 x 7 ¼ (168 x 183)\t\t\t2267\r\nPROVENANCE Sir T. Lawrence; S. Woodburn (sale, Christie, 4 June 1860, lot 36, together with No. 247 above, bought for the Museum)\r\n\r\nSee the note under no. 247.\r\n\n'Note under no. 247':\n[In the Woodburn sale Catalogue, and until lately, this drawing and its companion (no. 248) were ascribed to L.B. Akberti. But, as Pouncey has suggested, the artist should rather be sought at Rome early in the 16th century, perhaps in the circle of the youthful Peruzzi, Ripanda and Aspertini, artists who shared a common interest in classical archaeology. Stylistically, the two drawings are reminiscent of a study of sibyls connected with S. Onofrio, Rome, which is in the British Museum and has been attributed in turn to all three artists (Pouncey and Gere, no.238, where it is firmly attributed to Peruzzi). Compare also the drawing of a mounted warrior trampling over a fallen horse in the Uffizi (1369<sup>f</sup>, as Polidoro; Gernsheim 9082) also attributed by Pouncey and Gere (p. 137) to Peruzzi. The warrior and his horse in this drawing bear a certain resemblance to the two horsemen and their mounts in our two drawings. But our drawings show certain weaknesses, particularly in the handling of the perspective, and they are therefore probably copies or pupil’s work.]"}],"production":"","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["2267"],"accessionNumberNum":"2267","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-07","recordCreationDate":"2009-06-30","availableToBook":false}}