{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O502690"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O502690/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017KJ8134/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017KJ8134/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2017KJ8134","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KX9983","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O502690/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O502690","accessionNumber":"2269","objectType":"Drawing","titles":[{"title":"St Gregory the Great, seated, with four angels and a woman personifying Eloquence, as painted by Giulio in the Sala di Costantino in the Vatican","type":"published title"}],"summaryDescription":"","physicalDescription":"drawing","artistMakerPerson":[{"name":{"text":"Romano, Giulio","id":"A5603"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pen and ink","id":"x30618"},{"text":"wash","id":"AAT11051"},{"text":"white pigment","id":"AAT13723"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"drawing","id":"x32498"}],"materialsAndTechniques":"Pen and ink and wash heightened with white","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[{"text":"Italian School","id":"x31264"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2017KJ8134","2018KX9983"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"273","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Italy","id":"x28927"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"first half 16th century","earliest":"1500-01-01","latest":"1550-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"301","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"251","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Provenance: Sir T. Lawrence (according to the Catalogue of the Woodburn sale); S. Woodburn (sale, Christie, 4-8 June 1860; bought for the Museum)","historicalContext":"","briefDescription":"Drawing, St Gregory the Great, seated, with four angels and a woman personifying Eloquence, as painted by Giulio in the Sala di Costantino in the Vatican, by Giulio Romano, Italian School, pen and ink and wash, first half 16th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Ward Jackson, Peter, <u>Italian Drawings. Volume One: 14th - 16th century</u>, London, 1979, cat. 155, p. 77, illus.\n\nThe following is the full text of the entry:\n\nGIULIO ROMANO \nGiulio Pippi (c. 1499-1546) \r\n\r\n155 \r\nSt Gregory the Great, seated, with four angels and a woman personifying Eloquence, as painted by Giulio in the Sala di Costantino in the Vatican \r\nPen and ink and wash heightened with white \r\n11 7/8 x 9 7/8 (301 X 251) \t2269 \r\nPROVENANCE Sir T. Lawrence (according to the Catalogue of the Woodburn sale); S. Woodburn (sale, Christie, 4-8 June 1860; bought for the Museum) \r\n\r\nFormerly catalogued anonymously. The drawing does not include any of the figures in the upper part of the fresco. Otherwise it corresponds closely with the fresco, except in one detail: in the fresco the figure of Eloquence sits with her left leg advanced, whereas in the drawing her right leg is advanced; apart from that, the position of the legs is different, the feet being more firmly placed on the steps in the fresco than in the drawing. These alterations prove that the drawing was not copied from the fresco. The handling is very close to Giulio. The drawing is either a study by Giulio himself or a good copy by a pupil made from his original drawing. Eloquence is represented as described in Ripa's <i>Iconologia</i>, holding a thunderbolt in her right hand and an open book in her left. \r\n"}],"production":"","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["2269"],"accessionNumberNum":"2269","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-07","recordCreationDate":"2009-06-30","availableToBook":false}}