{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O502675"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O502675/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017KJ9970/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017KJ9970/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2017KJ9970","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KX5092","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O502675/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O502675","accessionNumber":"2287","objectType":"Drawing","titles":[{"title":"The Adoration of the Shepherds","type":"published title"}],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Tosini, Michele","id":"AUTH343633"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"black chalk","id":"AAT80058"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"drawing","id":"x32498"}],"materialsAndTechniques":"Black chalk","categories":[],"styles":[{"text":"Italian school","id":"x31264"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2017KJ9970","2018KX5092"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"261","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Italy","id":"x28927"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1503-1577","earliest":"1503-01-01","latest":"1577-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"196","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"199","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Inscribed on the back in red ink in a modern hand 'No. 40. 10/71' and again in pencil 'Angelo Bronzino' ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Sir T. Lawrence (Lugt  2445); S. Woodburn (sale, Christie, 4-8  June 1860, unidentified lot, bought for  the Museum) ","historicalContext":"Originally ascribed to Agnolo Bronzino when acquired by the museum.\r\n","briefDescription":"Drawing, The Adoration of the Shepherds, by Michele Tosini, Italian School, black chalk, 16th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Ward-Jackson, Peter, <u>Italian Drawings Volume I. 14th-16th century</u>, London, 1979, cat. 348, pp. 164-165, illus.\n\nThe text is as follows:\n\nTOSINI, MICHELE\r\nKnown as Michele di Ridolfo del Ghirlandaio\r\n(1503-77)\r\n\r\n348\r\nThe Adoration of the Shepherds \r\nInscribed on the back in red ink in a modern hand 'No. 40. 10/71' and again in pencil 'Angelo Bronzino' \r\nBlack chalk \r\n7 3/4 X 7 7/8  (196 x 199) \t\t\t\t\t\t2287 \r\nPROVENANCE Sir T. Lawrence (Lugt 2445); S. Woodburn (sale, Christie, 4-8 June 1860, unidentified lot, bought for the Museum) \r\n\r\nFormerly catalogued under Bronzino; attributed to Tosini by Pouncey and, as he subsequently discovered, connected with a picture in the Museo Civico at Udine. In the picture the artist substituted a landscape and a ruined stone house for the rustic hut, and the figures on the left are differently grouped. But the shepherd raising his cap is there, so is the kneeling Virgin, flanked by two angels, and the Child lying on the ground. The pose of the angel on the right, with hands raised, is almost the same in the picture as in the drawing; and the little separate sketch of St Joseph kneeling, with his hands crossed on his breast, in the bottom left-hand corner of the drawing was used in the picture instead of the kneeling shepherd. 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