{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O499573"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O499573/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009CD9453/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009CD9453/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2009CD9453","copyright":"©Victoria and Albert Museum, London/Harold Cohen","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O499573/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O499573","accessionNumber":"E.320-2009","objectType":"Drawing","titles":[{"title":"Untitled","type":"assigned by artist"}],"summaryDescription":"Cohen trained as a painter and represented Britain at the 1966 Venice Biennale. In 1968 he became a visiting professor at the University of California at San Diego, where he was introduced to computer programming.  This hand-coloured drawing on a computer printout reads as a contour map and illustrates his early interest in the new medium.","physicalDescription":"Hand drawing in coloured inks on impact print.","artistMakerPerson":[{"name":{"text":"Cohen, Harold","id":"A3453"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing-out paper","id":"AAT127375"},{"text":"coloured ink","id":"AAT126356"}],"techniques":[{"text":"impact printing","id":"x43993"},{"text":"free-hand drawing","id":"AAT53181"},{"text":"computer-generated","id":"x44521"}],"materialsAndTechniques":"Hand drawing in ink on impact print","categories":[{"text":"Computer Art","id":"THES49037"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2009CD9453"],"imageResolution":"high","galleryLocations":[{"current":{"text":"514A","id":"THES49773"},"free":"","case":"RK","shelf":"14","box":"R"}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"USA","id":"x29333"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1969","earliest":"1969-01-01","latest":"1969-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Harold Cohen","dimensions":[{"dimension":"Height","value":"28","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Length","value":"21.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'Harold Cohen '69'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"In pencil, in lower right side, artist's signature and date"}],"objectHistory":"","historicalContext":"","briefDescription":"Drawing in ink on impact print, by Harold Cohen, 1969.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Chance and Control: Art in the Age of Computers (2018)\n\nHAROLD COHEN (1928–2016)\r\nUntitled\r\nUSA, 1969\n\r\nHarold Cohen was an established painter in the 1960s, representing Britain at the 1966 Venice Biennale. In 1968 he became a visiting professor in California, where he wrote his first computer programs. This is one of his earliest computergenerated works, containing numbers distributed according to the program printed in the lower left corner. Cohen drew lines around the numbers by hand, creating an artwork that resembles a contour map.\n\r\nComputer-generated impact print, with hand drawing in ink\r\nGiven by the artist\r\nMuseum no. E.320-2009","date":{"text":"07/07/2018-18/11/2018","earliest":"2018-07-07","latest":"2018-11-18"}},{"text":"Harold Cohen born 1928\r\nUntitled\r\n1969 \r\n\r\nCohen trained as a painter and represented Britain at the 1966 Venice Biennale. In 1968 he became a visiting professor at the University of California at San Diego, where he was introduced to computer programming.  This hand-coloured drawing on a computer printout reads as a contour map and illustrates his early interest in the new medium. \r\n\r\nDrawing in ink on impact print \r\nGiven by Harold Cohen\r\nMuseum no. E.320-2009","date":{"text":"07/12/2009 - 25/04/2010","earliest":"2009-12-07","latest":"2010-04-25"}}],"partNumbers":["E.320-2009"],"accessionNumberNum":"320","accessionNumberPrefix":"E","accessionYear":2009,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-07","recordCreationDate":"2009-06-30","availableToBook":false}}