{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O47642"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O47642/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017JV6683/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017JV6683/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2017JV6683","copyright":"©Victoria & Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JV6684","copyright":"©Victoria & Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JV6685","copyright":"©Victoria & Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O47642","accessionNumber":"S.261:2-1999","objectType":"Theatre costume","titles":[],"summaryDescription":"Richard Strauss's opera <i>Der Rosenkavalier</i>, in style and manners, is firmly set in the 18th century and does not allow of radical reinterpretation.  Many designers base their concepts on the original 1911 production, designed by Alfred Roller, although David Walker, in designing the opera for English National Opera in 1975, found Roller's work a little vulgar, while describing his own work as 'a bit like Harrod's best.'  There was a handsome over- sumptuousness about Walker's costumes that married well with the sheer welter of words and notes that characterise the opera.\r\n \r\nThe role of Octavian was written not for a tenor, but for a soprano.  The costume therefore in its strong lines and weight is designed to help the singer suggest a young man.  In colouring and style it relates to the costume worn by Sophie, the girl with whom Octavian falls in love even though he is acting as emissary from Sophie's older admirer, Baron Ochs; the costumes therefore almost hint that there is a fundamental understanding between the young couple even before they themselves realise they are in love.","physicalDescription":"Long 18th century style waistcoat in off-white furnishing fabric, the fronts richly decorated with silver, white and gold lace, and lace and braid rosettes","artistMakerPerson":[{"name":{"text":"Walker, David","id":"A4540"},"association":{"text":"costume designers","id":"AAT163428"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Lace","id":"AAT132861"},{"text":"Sequins","id":"x30374"}],"techniques":[{"text":"Sewing","id":"AAT53658"}],"materialsAndTechniques":"Furnishing fabric. lace and braid","categories":[{"text":"Entertainment & Leisure","id":"THES48959"},{"text":"Opera","id":"THES263971"},{"text":"Theatre costume","id":"THES268477"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2017JV6683","2017JV6684","2017JV6685"],"imageResolution":"low","galleryLocations":[{"current":{"text":"105","id":"THES49926"},"free":"","case":"CA011A","shelf":"FIG2","box":""}],"partTypes":[[{"text":"Theatre costume","id":""}],[{"text":"Opera costume","id":""}],[{"text":"Waistcoat","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1975","earliest":"1975-01-01","latest":"1975-12-31"},"association":{"text":"designed","id":"x29338"},"note":""}],"associatedObjects":[],"creditLine":"Given by English National Opera","dimensions":[{"dimension":"Length","value":"80","unit":"cm","qualifier":"approximate","date":{"text":"","earliest":null,"latest":null},"part":"collar to hem","note":""},{"dimension":"Width","value":"40","unit":"cm","qualifier":"approximate","date":{"text":"","earliest":null,"latest":null},"part":"Widest point","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This waistcoat is part of the costume designed by David Walker for Octavian in Richard Strauss' opera Der Rosenkavalier, English National Opera, 1975.\n\nHistorical significance: A fine example of theatre costume making from the 1970s, showing how period costume can be at once a reflection of historical understand and theatrical effectiveness, so that it is recognisable as period costume but, in its cut and use of materials, obvious as a creation of its  time.","historicalContext":"","briefDescription":"Waistcoat worn by Octavian in Richard Strauss's opera <i>Der Rosenkavalier</i>, English National Opera, 1975, designed by David Walker","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Gallery rotation, 2022\n\nCOSTUMES FOR SOPHIE AND OCTAVIAN IN <i>DER ROSENKAVALIER</i>\r\n1975\n\r\nDavid Walker designed these costumes for a 1975 revival of Richard Strauss’s celebrated comic opera Der Rosenkavalier. Sophie and Octavian fall in love and devise a comic plot to free Sophie from her engagement to a brutish Baron. Octavian is a ‘breeches role’: a role of a young man written for a female (mezzo-) soprano. Some female singers have performed both Sophie and Octavian during their careers.\n\r\nDesigned by David Walker\r\nSynthetic chiffon, brocade, furnishing fabric, lace, net, gold mesh, braid, sequins and gold paint\r\nGiven by English National Opera\r\nMuseum nos. S.261:1, 2-1999, S.263-1999","date":{"text":"07/03/2022","earliest":"2022-03-07","latest":"2022-03-07"}}],"partNumbers":["S.261:2-1999"],"accessionNumberNum":"261","accessionNumberPrefix":"S","accessionYear":1999,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-15","recordCreationDate":"2000-09-01","availableToBook":false}}