{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O435275"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O435275/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2023NM2523/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2023NM2523/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2023NM2523","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O435275/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O435275","accessionNumber":"8655:15","objectType":"Painting","titles":[{"title":"tong cang wai jiang chuan","type":"generic title"}],"summaryDescription":"","physicalDescription":"Painting, rectangular in shape, depicting a boat or ship in muted tones. The ship has a circular cabin running along the middle and a mast at the back with sail mid way-up. A figure at the back manipulates an oar. There is also a figure at the front. ","artistMakerPerson":[],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"watercolour","id":"x33202"},{"text":"ink","id":"AAT15012"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"painted","id":"x30138"}],"materialsAndTechniques":"Watercolour and ink on paper","categories":[{"text":"Chinese export watercolours","id":"THES390782"},{"text":"Paintings","id":"THES48917"},{"text":"Boats and ships","id":"THES260021"}],"styles":[],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2023NM2523"],"imageResolution":"high","galleryLocations":[{"current":{"text":"002","id":"THES394114"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Painting","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Guangzhou","id":"x32464"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1800-1820","earliest":"1800-01-01","latest":"1820-12-31"},"association":{"text":"made","id":"x28654"},"note":"Qing dynasty"}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"33.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"29","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Once part of a folio containing 50 sheets depicting various boats and ships. These pages, now separated, are numbered 8655:1to51, with 8655:51 being a list of images originally inserted into the album. \r\nLord George Macartney (1737-1806), the first British ambassador to China, described that 'the river of Canton is covered with boats and vessels of various sorts and sizes, all, even the very smallest, constantly and thickly inhabited'. This painting is from a set of 50 depicting the different types of boats that cluttered the Pearl River. It shows a ferry operating at night. Paintings such as this were mass-produced as souvenir items.","historicalContext":"","briefDescription":"Painting, 'tong cang wai jiang chuan', watercolours on paper, Guangzhou, China, 1800-1820","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"舟楫","id":"CIT288511"},{"text":"部件 (舟楫)","id":"CIT288488"},{"text":"行舟","id":"CIT287860"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["8655:15"],"accessionNumberNum":"8655","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-06-20","recordCreationDate":"2009-06-25","availableToBook":true}}