{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O41838"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O41838/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BE8359/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BE8359/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BE8359","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KV7748","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O41838/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O41838","accessionNumber":"IS.122-1951","objectType":"Painting","titles":[{"title":"Radha ","type":"generic title"}],"summaryDescription":"This painting is from a series illustrating the Rasamanjari or 'blossom-cluster of delight' by the poet Bhanudatta, which describes and classifies the behaviour of lovers.  An inscription in Takri (a script used in the Punjab Hills) labels the heroine as 'she who lies dazed or stupefied'. On the back, Sanskrit verses from the Rasamanjari describe her motionless state and continue, 'there is no difference between her and a painting on canvas, unless the ripple of a thrill is awakened in her on hearing your name'. Here, the lovers are depicted as Radha and Krishna.\r\n \r\nThis series of paintings is one of the earliest painted in a distinctly Pahari ('Hill') manner. Iridescent green beetle wing-case fragments were used to represent jewels.","physicalDescription":"Painting, in opaque watercolour on paper, Krishna in an orange-red dhoti with saffron Vaishnava markings on his arms and face anxiously converses with a maid about Radha who has fallen upon the bed in a faint. Radha wears a green and white skirt and red bodice.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"opaque watercolour","id":"x35013"},{"text":"paint","id":"AAT15029"},{"text":"paper","id":"AAT14109"}],"techniques":[{"text":"painting (image-making)","id":"AAT54216"}],"materialsAndTechniques":"Painted in opaque watercolour on paper","categories":[{"text":"Paintings","id":"THES48917"},{"text":"Hinduism","id":"THES48941"},{"text":"Religion","id":"THES48900"},{"text":"Bonita Trust Indian Paintings Cataloguing Project","id":"THES263148"}],"styles":[{"text":"Basohli","id":"AAT18999"},{"text":"Pahari","id":"AAT18997"}],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2006BE8359","2018KV7748"],"imageResolution":"high","galleryLocations":[{"current":{"text":"008","id":"THES403759"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"painting","id":"AAT33618"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Basohli","id":"x32729"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1660 - ca. 1670","earliest":"1655-01-01","latest":"1674-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased with the assistance of Lady Rothenstein and  Art Fund","dimensions":[{"dimension":"Height","value":"235","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"with border","note":""},{"dimension":"Width","value":"260","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"175","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"330","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"with border","note":""}],"dimensionsNote":"Red border with thin silver margin and white rules.","marksAndInscriptions":[{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"top","script":"takri","translation":"'she who lies dazed or stupefied'","transliteration":"'jaditadata'","type":"","note":"handwritten in Takri at top of object\r\n"},{"content":"'131' ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"takri","translation":"","transliteration":"","type":"","note":"Handwritten in Takri"},{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"Sanskrit","medium":"","method":"","position":"reverse","script":"","translation":"'The bracelet on her hand is making no sound; the garment on her bosom does not stir; the gaze of her pupils is fixed; and her ear-rings dance no more. There is no difference between her and a painting on canvas, unless the ripple of a thrill is awakened in her on her hearing your name'\r\n","transliteration":"","type":"","note":"handwritten in Sanskrit on verso; verse from the Rasamanjari, translation by Randhawa and Bhambri, 1967"}],"objectHistory":"From the collection of Sir William Rothenstein. Purchased with the assistance of Lady Rothenstein and the National Art Collections Fund.","historicalContext":"From a series of paintings illustrating the Rasamanjari or 'blossom-cluster of delight by the poet Bhanudatta, which describes and classifies the behaviour of lovers. An inscription in Takri labels the heroine as 'she who lies dazed or stupefied'. On the back, Sanskrit verses from the Rasamanjari describe her motionless state and continue, 'there is no difference between her and a painting on canvas, unless the ripple of a thrill is awakened in her on hearing your name'. Here, the lovers are depicted as Radha and Krishna.\r\nThis series of paintings is one of the earliest painted in a distinctly Pahari ('Hill') manner.","briefDescription":"Painting, Radha stupefied, opaque watercolour on paper, Basohli, ca. 1660-1670","bibliographicReferences":[{"reference":{"text":"In the image of man : the Indian perception of the universe through 2000 years of painting and sculpture : [exhibition / organized by Catherine Lampert assisted by Rosalie Cass]. London: Weidenfeld and Nicolson :in association with the Arts Council of Great Britain, 1982 Number: 0297780719, 0297781243 (pbk.)","id":"AUTH339940"},"details":"p. 212, cat. no. 421","free":""},{"reference":{"text":"Indian paintings from the Punjab Hills : a survey and history of Pahari miniature painting / by W. G. Archer ; foreword by Sherman E. Lee. London :Delhi: Sotheby Parke Bernet ;Oxford University Press, 1973 Number: 0856670022","id":"AUTH338527"},"details":"p. 38, cat. no. 4 xvi","free":""},{"reference":{"text":"Khanna, Balraj; Krishna: The Divine Lover, South Bank Centre, London 1997, ISBN 1 85332 166 4","id":"AUTH344965"},"details":"cat. no. 13","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"Krishna in an orange-red dhoti with saffron Vaishnava markings on his arms and face anxiously converses with a maid about Radha who has fallen upon the bed in a faint. Radha wears a green and white skirt and red bodice.","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Krishna","id":"N748"},{"text":"Radha","id":"N1084"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"woman","id":"AAT25943"},{"text":"deities","id":"x31373"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"RADHA STUPEFIED\r\nOpaque water-colour and gold on paper with applied beetle wing-case fragments\r\nBasohli, Punjab Hills\r\nc.1660-70\r\n\r\nIS.122-1951 \r\nFrom the collection of Sir William Rothenstein. Purchased with the assistance of Lady Rothenstein and the National Art Collections Fund.\r\n\r\nFrom a series of paintings illustrating the Rasamanjari or 'blossom-cluster of delight' by the poet Bhanudatta, which describes and classifies the behaviour of lovers.  An inscription in Takri labels the heroine as 'she who lies dazed or stupefied'. On the back, Sanskrit verses from the Rasamanjari describe her motionless state and continue, 'there is no difference between her and a painting on canvas, unless the ripple of a thrill is awakened in her on hearing your name'. Here, the lovers are depicted as Radha and Krishna.\r\n \r\nThis series of paintings is one of the earliest painted in a distinctly Pahari ('Hill') manner.","date":{"text":"06/2008","earliest":"2008-06-01","latest":"2008-06-30"}}],"partNumbers":["IS.122-1951"],"accessionNumberNum":"122","accessionNumberPrefix":"IS","accessionYear":1951,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-06","recordCreationDate":"2000-07-20","availableToBook":true}}