{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O417557"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O417557/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EE4221/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EE4221/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EE4221","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2013GG5909","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AG2194","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O417557/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O417557","accessionNumber":"E.263-1934","objectType":"Woodblock print","titles":[],"summaryDescription":"Images known as ukiyo-e (‘pictures of the floating world’) were immensely popular during the Edo period (1615–1868). Produced in very large numbers, they reflected a world that celebrated hedonism, consumerism and living for the moment. Depictions of beautiful women abounded, especially the glamorous and trend-setting courtesans of Japan’s major cities. ","physicalDescription":"Portrait format print depicting half-length portraits of three contemporary, Japanese beauties in a pyramid formation. The colours of the print are quite faded, being predominantly shades of black, beige and gold. Each woman wears a kimono, and the woman on the bottom right holds a fan. The print is signed 'Utamaro hitsu.'","artistMakerPerson":[{"name":{"text":"Kitagawa Utamaro","id":"A6881"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Tsutaya","id":"AUTH330940"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"block","id":"x35494"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"block printing","id":"AAT53289"}],"materialsAndTechniques":"Printing, colour print from wood blocks on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Gender and Sexuality","id":"THES48940"},{"text":"Fashion","id":"THES48957"}],"styles":[],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2010EE4221","2013GG5909","2006AG2194"],"imageResolution":"high","galleryLocations":[{"current":{"text":"003","id":"THES393798"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Woodblock print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Japan","id":"x29399"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1793","earliest":"1788-01-01","latest":"1797-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Sir Edward David Stern (part of the Sir Edward David Stern collection).","dimensions":[{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"9.625","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Utamaro hitsu","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed "}],"objectHistory":"The three courtesans featured in the print are named as Ohisa and Okita and the singer Toyohina.","historicalContext":"","briefDescription":"Woodbock print by Kitagawa Utamaro (1753-1806), Japanese, c.1793.  ","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Engraving, Illustration and Design & Department of Paintings Accessions 1934</u> London: Published under the Authority of the Board of Education, 1935"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"courtesans","id":"AAT236521"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Beautiful Women \r\nImages known as ukiyo-e (‘pictures of the floating world’) were immensely popular during the Edo period (1615–1868). Produced in very large numbers, they reflected a world that celebrated hedonism, consumerism and living for the moment. Depictions of beautiful women abounded, especially the glamorous and trend-setting courtesans of Japan’s major cities. These five prints by leading artists show some of the variations in hair-style and kimono design of the time.\r\n","date":{"text":"20/09/2015","earliest":"2015-09-20","latest":"2015-09-20"}}],"partNumbers":["E.263-1934"],"accessionNumberNum":"263","accessionNumberPrefix":"E","accessionYear":1934,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2009-06-25","availableToBook":true}}