{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O403730"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O403730/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GL0930/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GL0930/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GL0930","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2008BU9118","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O403730/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O403730","accessionNumber":"IM.53-1942","objectType":"Drawing","titles":[{"title":"Kailasanatha Temple, Ellora","type":"generic title"}],"summaryDescription":"The rock-cut architecture of western India fascinated western scholars, artists and the public because of the sheer scale of the excavated structures and the intricacy of the sculptural carvings.  At Ellora, the Kailasanatha temple is the most spectacular of the thirty-four caves. The viewpoint from which this drawing is made, was popular with artists as it enabled them to convey the grand scale of the monument.\r\n\r\nMajor General William Lacy's regiment was based in India from 1818 to 1833. He made many sketches of monuments in western and southern India and this is one of a series of thirteen drawings of the caves of Ellora.","physicalDescription":"This pencil sketch of the Kailasanatha Temple at Ellora is  drawn from within another cave. There are two people in the foreground and other figures around the temple.","artistMakerPerson":[{"name":{"text":"Lacy, William Maj. 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Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai and Victoria and Albert Museum, 2008, ISBN:81-901020-8-7","id":"AUTH330101"},"details":"p. 50","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Ellora","id":"x38726"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The rock-cut architecture of western India fascinated western scholars, artists and the public because of the sheer scale of the excavated structures and the intricacy of the sculptural carvings.  At Ellora, the Kailasanatha temple is the most spectacular of the thirty-four caves. The viewpoint from which this drawing is made, was popular with artists as it enabled them to convey the grand scale of the monument.\r\n\r\nMajor General William Lacy's regiment was based in India from 1818 to 1833. He made many sketches of monuments in western and southern India and this is one of a series of thirteen drawings of the caves of Ellora.","date":{"text":"1/12/2008","earliest":"2008-12-01","latest":"2008-12-01"}}],"partNumbers":["IM.53-1942"],"accessionNumberNum":"53","accessionNumberPrefix":"IM","accessionYear":1942,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-18","recordCreationDate":"2009-06-25","availableToBook":true}}