{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O39534"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O39534/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009CA2862/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009CA2862/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2009CA2862","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009CT3376","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AW3817","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O39534/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O39534","accessionNumber":"6963-1860","objectType":"Monstrance","titles":[],"summaryDescription":"Like much metalwork of this date, this monstrance has a Gothic architectural form. A monstrance or <i>ostensorium</i> is a liturgical vessel used in the Roman Catholic Church. The names come from the Latin words \"monstrare\" and \"ostendere\" which mean \"to show\". Monstrances were used to display sacred items, namely the Eucharist,  to the congregation. When the host, or bread, is blessed during Mass, Roman Catholics believe that it becomes the body of Christ. From around 1200, priests held it up at this point for the congregation to venerate. Gradually monstrances began to be made, in order to display the host after Mass had been said.","physicalDescription":"Monstrance. Copper-gilt and silver, hexagonal; the stem chased and engraved with foliated ornaments; the body pierced with Gothic tracery and surmounted by pinnacles etc.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper","id":"AAT11020"},{"text":"gold","id":"AAT11021"},{"text":"silver","id":"AAT11029"}],"techniques":[{"text":"engraving (incising)","id":"AAT53829"},{"text":"chasing","id":"AAT54016"},{"text":"mercury-gilding","id":"x39207"}],"materialsAndTechniques":"Copper, silvered and gilt, chased and engraved","categories":[{"text":"Christianity","id":"THES48978"},{"text":"Metalwork","id":"THES48920"},{"text":"Religion","id":"THES48900"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2009CA2862","2009CT3376","2006AW3817"],"imageResolution":"high","galleryLocations":[{"current":{"text":"10","id":"THES49099"},"free":"","case":"CA13","shelf":"","box":""}],"partTypes":[[{"text":"Monstrance","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Italy","id":"x28927"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1450","earliest":"1445-01-01","latest":"1454-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"32.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Diameter","value":"13.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Weight","value":"0.74","unit":"kg","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Measured for the Medieval and Renaissance Galleries 2005","marksAndInscriptions":[],"objectHistory":"Purchase\n\nHistorical significance: The Middle Ages was characterised by the practice of the cult of the saints. Churches, cathedrals and monasteries collected and displayed relics (the bones or possessions of the saints) for the veneration of the congregation. Pilgrimage became very popular in this period. People travelled long distances to view holy relics in magnificent reliquaries and shrines. Churches also developed the tradition of displaying the Body of Christ, in the form of the Eucharist (Holy bread blessed by the Priest) in rich monstrances during the Mass.\r\n\r\n\r\nThe development of Gothic architecture in the 12th century had a huge impact on the styles of the Middle Ages. This new architecture focused upon the use of light, which passed through long stained glass windows. This use of light had an important symbolic meaning; it represented the Light and God. It is possible that medieval liturgical metalwork was inspired by the new style of Gothic architecture and its symbolism. Monstrances, incense burners and reliquaries echoed gothic architectural forms in this period. This example allows the light to pour through the gothic windows of decorated tracery.","historicalContext":"A monstrance or <i>ostensorium</i> is a liturgical vessel used in the Catholic Church. The names come from the Latin words \"monstrare\" and \"ostendere\" which mean \"to show\". Monstrances were used to display sacred items, namely the Eucharist or holy relics to the congregation.","briefDescription":"Monstrance, copper, silvered and gilt, Italian, ca. 1450.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>\tCuivres d'orfèvres, Catalogue des oeuvres médievales en cuivre non émaillé des collections publiques du Limousin</u> Véronique Notin. Limoges Musée de l'Echêveché Musée de l'Émail, 1996."},{"reference":{"text":"","id":""},"details":"","free":"<u>Age of Chivalry, Art in Plantagenet England 1200 - 1400</u>, Royal Academy of Arts, London 1987"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"MONSTRANCE\r\nCopper, silvered and gilt, chased and engraved\r\nItalian; about 1450\r\nThe strongly architectural Gothic decoration is typical of Italian work of this date. A monstrance was used to hold and display the Host (the consecrated bread or wafer).","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["6963-1860"],"accessionNumberNum":"6963","accessionNumberPrefix":"","accessionYear":1860,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LN9409","2019LU6356","2019LW6550","2020MN9909"],"recordModificationDate":"2025-04-12","recordCreationDate":"2000-05-11","availableToBook":false}}