{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O35127"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O35127/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EL6381/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EL6381/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EL6381","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O35127/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O35127","accessionNumber":"941-1875","objectType":"Jug","titles":[],"summaryDescription":"","physicalDescription":"Salt-glazed grey and blue stoneware jug with moulded decoration and patches of cobalt-blue, imitating German stonewares of around 1625 from the Westerwald. Moulded in sections and assembled. Groups of figures beneath arcades are embossed on the body, and a bearded mask on the spout.","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Merkelbach and Wick","id":"A3631"},"association":{"text":"manufacturer","id":"AAT25230"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"stoneware","id":"x30178"},{"text":"salt glaze","id":"AAT48635"},{"text":"stoneware","id":"x30197"}],"techniques":[{"text":"glazed","id":"AAT53914"},{"text":"moulded","id":"AAT53134"}],"materialsAndTechniques":"Salt-glazed stoneware with moulded decoration and patches of cobalt-blue","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"Stoneware","id":"THES48890"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2010EL6381"],"imageResolution":"high","galleryLocations":[{"current":{"text":"002","id":"THES334056"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Jug","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Grenzhausen","id":"x32479"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1875","earliest":"1875-01-01","latest":"1875-12-31"},"association":{"text":"made","id":""},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":".","type":"","note":""}],"objectHistory":"Made near Coblenz (Germany) and purchased from Louis Ravené, a Berlin collector, dealer and maker of art enamels. These jugs imitate German stonewares from the Westerwald of around 1625, although, unlike the originals, which were thrown and decorated with applied 'sprigs', they were moulded in sections and assembled. Like electrotypes they were intended as models for art students.","historicalContext":"Over thirty similar jugs were lent to provincial museums. There was also a commercial market, 'Blue and Grey Mediaeval Art Pottery' being advertised in London in the 1870s.","briefDescription":"Salt-glazed stoneware jug made by Merkelbach and Wick, Grenzhausen (Germany), 1875.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Holy Roman Emperor","id":"N4935"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"mask","id":"x30067"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"'American and European Art and Design 1800-1900'\r\n\r\nThese jugs, made near Coblenz, were purchased from Louis Ravené, a Berlin collector, dealer and maker of art enamels. They imitate German stonewares from the Westerwald of around 1625, although, unlike the originals, which were thrown and decorated with applied 'sprigs', they were moulded in sections and assembled. Like electrotypes they were intended as models for art students. Over thirty similar jugs were lent to provincial museums. There was also a commercial market, 'Blue and Grey Mediaeval Art Pottery' being advertised in London in the 1870s.","date":{"text":"1987-2006","earliest":"1987-01-01","latest":"2006-12-31"}}],"partNumbers":["941-1875"],"accessionNumberNum":"941","accessionNumberPrefix":"","accessionYear":1875,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-06","recordCreationDate":"2000-04-11","availableToBook":true}}