{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O34366"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O34366/"}},"images":null,"see_also":null},"record":{"systemNumber":"O34366","accessionNumber":"E.28-2000","objectType":"Photograph","titles":[],"summaryDescription":"Toby Glanville is a much-exhibited British photographer. His images seem to arrest the attention of his subjects, but without interrupting it. His still life photographs are eerily unobtrusive and his portraits show a stillness in his subjects. This portrait was made using a long exposure (4 to 5 seconds) in natural light in an interior. The subject's eyes are somewhat dilated, as he was looking into the relatively dark part of the room where the camera was mounted on a tripod.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Glanville, Toby (Mr.)","id":"A3494"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":[],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLH","id":"THES49654"},"free":"","case":"DELTA","shelf":"5","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1992","earliest":"1992-01-01","latest":"1992-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Toby Glanville","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph, 'Plasterer's Mate', by Toby Glanville, London 1992","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Glanville, who has made many portraits of workers in different crafts, trades and skills was visiting a friend's basement flat in Notting Hill, which the boy was helping his father to plaster. The only light came from a small southwest-facing window. The boy is coated in fine plaster dust and his eyes are dilated as he looks out from relative darkness. Glanville, using a Rolleiflex on a tripod, counted out the exposure using the second hand of his watch. Bruce Bernard said that he felt he could almost see the boy's nervous system in this photograph.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.28-2000"],"accessionNumberNum":"28","accessionNumberPrefix":"E","accessionYear":2000,"otherNumbers":[],"copyNumber":"4 of 10","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-11","recordCreationDate":"2000-03-27","availableToBook":false}}